All the Lovers

Andrew Strong - Dark End of the Street Lyrics At the dark end of the street that is where we always meet hiding in shadows where we don't belong living in darkness, to hide alone You and me, at the dark end of the street You and me I know a time has gonna take it's toll we have to pay for the love we stole It's a sin and we know it's wrong Oh, our love keeps going on strong Steal away to the dark end of the street You and me They gonna find us, they gonna find us

: خلفيات ثقافيةمتشابهة النص 2 الصفحة 11 أهم المفردات التي يجب التنبهلها في نصوص الصفحة 11 patterns of behaviour : أشكالالسلوك ways of Living : أنماط الحياة not within the norm : لا يذخل ضمن المعتاد -في مايخص سلوكاتنا- distancing is cultural-specific : التباعد - التحفظ عند السلام- هو خاص بكل ثقافة to abide by the rules : يتقيد/يلتزمبالقواعد behave wrongly :يتصرف بشكل خاطئ Healthy behaviour : التصرف السليم conscious of cross-cultural similarities : أنتكون واع بالتشابهات بين الثقافات المختلفة

AN EXTRAORDINARY ABSENCE ì Liberation in the Midst of a Very Ordinary Life JEFF FOSTER NON-DUALITY PRESS ACKNOWLEDGEMENTS Deep gratitude to Nathan Gill Special thanks to Philip Pegler With love to: Adam, Amy, Barry, Joan, John, Josh, Julian, Jeannine, Kriben, Lynda, Mandi, Menno, Mike, Nic, Pamela, Sid, Tijn, Wendy, and everyone else! AN EXTRAORDINARY ABSENCE First published August 2009 by NON-DUALITY P RESS © Jeff Foster 2009 © Non-Duality Press 2009 Cover photograph by Nic Oestreicher

single-minded Page 17 – Exercise 4 Open answers KEY TO THE EXERCISES AND EXIT TEST Page 25 – Exercise 4 a. borrows b. lend c. borrow, lend d. borrowed e. lending Page 26 – Exercise 5 1. a 2. c 3. a 4. b 5. b 8. b 9. b 10. a 6. c 7. a Page 18 – Picture description Open answers Shakespeare’s Life Page 7 – Exercise 1 a. 23 April is also St. George’s Day, the patron saint of England. b. No, his father was a tradesman. c. He went to the local grammar school in Stratford. d. Shakespeare was eighteen

DESIRED” A ‘temcat’ study “And when the woman saw that the tree was good for food, and that it was pleasant to the eyes, and a tree to be desired to make one wise, she took of the fruit thereof, and did eat, and gave also unto her husband with her; and he did eat.” Genesis 3:6 Two trees in the centre of the garden; the ‘Tree of Life’ and the ‘Tree of Knowledge’. People, who read this account and just see two trees, are missing one of the grandest lessons on salvation in the whole Bible! It is a fact in

Contents Part One: Haunted 4 8 The Manor by Julie Cros The Strange Legend of Jean by Catherine Gilant Part Two: Crimes of Passion 11 12 14 16 Cannibalism by Melissa Pinto Ferreira Italian Pasta by Louise Magué A dangerous meeting by Sarah Ouanfouf Unhappy birthday by Magali Doireau Part Three: Exotic Tales 18 20 22 Holidays by Samia Bouachaïb Convict by Destiny by Vaïté Corin The Color Crew by Sabrina Biddouri Part Four: Stress 24 26 28 To Fail Or To Succeed? by Julie Voinet Mysterious

to your reading of Balzac’s Le Père Goriot. The quotation refers implicitly to the “Avant-Propos” to the Comédie Humaine where Balzac proclaims his intention to investigate and illustrate “ l’histoire et la critique de la Société” and “ L’unité de composition” (AP,9) which underlies l’analyse de ses maux et la discussion de ses principles” (AP,32). Taking Balzac’s examination of Goriot’s fatherhood, tried under various conditions, as an example of the major themes of “ les personnes et la représentation

cherche à boire sur ses lèvres encore tièdes, quand jouissance et violence coïncident en une explosion mortifère : Romeo [to the Apothecary] Let me have A dram of poison, such soon-speeding gear As will disperse itself through all the veins, That the life-weary taker may fall dead And that the trunk may be discharged of breath As violently as hasty powder fired Doth hurry from the fatal cannon’s womb... (V.1.59-65) Roméo [à l’apothicaire] Donne-moi Une dose de poison, quelque chose de foudroyant

Plato doesn’t see the work of art like something Humans add into the world by the creation of something new or something more but he sees in art something less: The art object is less then its model. Art is imitation. Furthermore art doesn’t imitate the beings but the sensible. Plato compare the work of art to the representation of the word that you can see in a mirror “ With it (the mirror) you can quickly make the sun, the things in the heavens, the earth, yourself, the other animals, manufactured

important à jouer en matière de développement durable lorsqu’ils font le choix d’acheter tel ou tel produits. Pour cela la multinational a lancé le projet Sharing beauty with all  « partager la beauté avec tous », qui représente leur nouvel engagement en matière de développement durable à horizon 2020. L’objectif pour 2020 étant que 100 % de leurs produits démontrent un impact environnemental positif. B. Les enjeux majeurs