Behind the Front

Einstein If music be the food of love, play on. Shakespeare The way to get started is to quit talking and begin doing. Walt Disney Obstacles are those frightful things you see when you take your eyes off the goal. Henry Ford A friend is someone with whom you dare to be yourself. Frank Crane When a friend is in trouble, don't annoy him by asking if there is anything you can do. Think up something appropriate and do it. Edgar Watson Howe Don't walk in front of me, I may not follow;

voyeurisme. Mais aussi comment on nous amène à nous identifier aux protagonistes pour nous faciliter l’acceptation de la pratique du voyeurisme. Dans un premier temps nous verrons comment est né le voyeurisme dans fenêtre sur cour avec l’aide de la « front Windows » de la « rearWindows » et du « back yard ». Par la suite on parlera de l’identification universelle entre le spectateur et les protagonistes. On analysera un texte. On finira avec le rapport du voyeurisme (les différents degrés d’acceptation)

THE GOAL 1 I come through the gate this morning at 7:30 and I can see it from across the lot: the crimson Mercedes. It's parked beside the plant, next to the offices. And it's in my space. Who else would do that except Bill Peach? Never mind that the whole lot is practically empty at that hour. Never mind that there are spaces marked "Visitor." No, Bill's got to park in the space with my title on it. Bill likes to make subtle statements. So, okay, he's the division vice-president, and I'm just

are the right body types, some have never been athletes, some have friends on the team, and some are being made to by their parents. The team is small and no cut and always in need of more rowers. As they row they come together as a team, they all gain in confidence and learn what it is to be an athlete both on and off the water. The protagonists are a novice four, that means five girls who have never competed in crew before racing a boat with four rowers and a coxswain (cox for short). The coxswain

occupant will have placed his – sometimes her, but usually his – mobile in front of him, next to his lager. Among all-male groups, each table looks uncannily similar: three men, three pints, three phones. And there is more than practically at work here. Even those phones with vibrating alerts, which in a noisy bar can easily be felt in a pocket, are proudly paraded. The purpose of a modern mobile is to be seen, as well as heard. The roots of mobile mania are technological; they have achieved their present

The etymology of virtual highlights surprising facets of this concept evolving throughout time. First there is the Latin virtus which means virtue: "excellence, potency, and efficacy". It concerns the quality of men, virtues of energy, courage, and self-control. “Vir” means man. (The virtual is the reality of the man and not opposed to reality). Later in the XII century, the meaning of virtus changes, it becomes the essence of things, that is to say the principle that is the cause of the effects:

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physical differentiation between the good and the bad than each man choose to fight or to spread. For his praise of violence, and his way to show man’s inhumanity to man, many of his films at first had received bad critics’ interpretation, but years later, had became acclaimed as masterpieces that had an influence on many later generations of film-maker. Many different ways can be used to recognize Kubrick’s style, first the technique, then his intentions, with how the movies were viewed by critics

19 /01/2011 Account for the fall of the Tsar in 1917 For quite some time, Russia has known opposition against the Tsar until his fall in March 1917. Since 1905 and its several revolutions, the Tsar has been weakened. Indeed, since what we call Bloody Sunday and its massacre, the Tsar’s image has been damaged, but became better when he introduced a new government with the Dumas and new laws. Unfortunately, fighting in the Great War led him directly to his collapse. His fall

I attended the last showing of Murray Horowitz's and Richard Maltby, Jr.'s Ain't Misbehavin: The Fats Waller Musical Show, at the University of Tennessee's Clarence Brown Theatre on September 27, 2008. The Director, actors, Stage Manager, and Costume Designer and were not affiliated with UT but were provided by their respective professional unions, but the rest of the production was executed by UT Graduate Students as well as other longtime UT Theatre employees and local artists. The production reached