Bodies: The Exhibition

Exemple de dissertation Voici la dissertation (retranscrite telle quelle) d'un élève. Il convient de noter que certaines expressions comme "ventre cisaillé" ou "présentation morbide", issues du reportage visionné ou du texte de Pascale Tournier, sont littéralement reproduites par l'élève. Ce réinvestissement - qui s'apparente souvent à un "collage" - constitue une habitude que nos élèves contractent volontiers afin de combler leur manque d'expressions idiomatiques. Cela dit, cet élève réinvestit

Exemple de dissertation Iriez-vous voir l’exposition "Koerperwelten"? Actuellement, tout le monde lit au sujet de cette exposition, la voit à la télé et naturellement en discute. L'exposition "Koerperwelten" ou en français "Cadavres exquis" de l'Allemand Gunther von Hagens met en scène des cadavres entiers ou découpés et conservés selon un procédé de "plastination". Depuis son lancement en 1995 à Tokyo, l'exposition a attiré plus de 7,5 millions de personnes à Vienne, Bâle, Cologne, Berlin et

BRITAIN With the coming of war in 1939, Bacon was exempt from military service and released by the ARP on account of his asthma. He spent 1941 painting in Hampshire, before returning to London where he met Lucian Freud and was close to Sutherland. From these years emerged the works which he later considered as the beginning of his career, pre-eminently the partial bodies of Three Studies for Figures at the Base of a Crucifixion, 1944 (Tate Gallery N06171) which was first shown at the Lefevre Gallery

Der Blaue Reiter and the Degenerate art exhibition. * * * Cover of the Blaue Reiter almanac, W. Kandinsky, 1911 Poster for the degenerate art exhibition, from Otto Freundlich, Der neue Mensch At the beginning of the XXth, Germany was one of the strongest economical, military and diplomatic powers in the world. The country wanted to expand its boundaries by the way of colonization and develop its business, and was thus very opened on the world. During this rich

sélection d’artistes est essentiellement centrée sur le XXème siècle. De la représentation des corps Adler, Kathleen ; Pointon, Marcia The body imaged : the human form and visual culture since the Renaissance. Cambridge, Cambridge university press, 1993. XVII-214 p. Salle F – Art – [704.942 2 ADLE b] Albright, Ann Cooper Choreographing difference : the body and identity in contemporary dance. Hanover (N.H.), University press of New England, 1997. XXVI-216 p. Salle F – Art – [792.8 ALBR

The first art fund to have been recorded goes back in 1904 when La Peau de l’Ours was created, initiated by the French art lover André Level. The fund was to last for ten years. It included twelve members who each invested 250 Francs every year. What makes this first fund interesting is that they specialised their investment in the then-contemporary art which meant that the collection accounted for works by Pablo Picasso, Matisse, André Derain, Vincent Van Gogh or Gauguin to mention the most

1931, the International Olympic Committee, headed by Count Henri Baillet-Latour of Belgium, awarded the 1936 Summer Olympics to Berlin. The choice signaled Germany's return to the world community after defeat in World War I. Two years later, Nazi Party leader Adolf Hitler became chancellor of Germany and quickly turned the nation's fragile democracy into a one-party dictatorship. Police rounded up thousands of political opponents, detaining them without trial in concentration camps. The Nazi regime

les deux françaises nous avons voulu vous faire découvrir notre capitale. We decided to present you the city of Paris. We chose this city because were both French we wanted to make you discover our capital. Avec 47 millions de visiteurs, Paris « reste la première destination touristique au monde », devant Londres (35 millions). With 47 million visitors, Paris " stays the first tourist destination to the world ", in front of London (35 millions). I - Pourquoi visiter Paris ? D’abord le Paris culturel

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Diversity Common Heritage Plural Identities Published in 2002 by the United Nations Educational, Scientific and Cultural Organization 7, place de Fontenoy - 75700 Paris Coordination and revision: Michèle Garzon Graphic design, composition and printing: Jed Graphic & Multimédia © UNESCO 2002 • CULTURAL DIVERSITY • 2 Preface I n these troubled times with the world in search of its bearings, and wayward minds using the terms “culture” and “civilization” in an attempt to turn human beings