Boys Don't Cry

[Gdim]she [G7]nice? Look her [C]over [Gdim]once or [G7]twice. Now I [C]ask you [E7]very [A7]confi[A7+5]dentially [D7]Ain't [G7]she [C]nice? Just cast an [F9]eye in her di[C]rection Oh, me! Oh, [F9]my! Ain't that per[C]fection?[G7] [C]I [Gdim]re[G7]peat, don't you [C]think that's [Gdim]kind of [G7]neat? And I [C]ask you [E7]very [A7]confi[A7+5]dentially [D7]Ain't [G7]she [C]sweet? [G7] Gdim - 0101 F9 - 2333 Ain’t She Sweet My Blue Heaven (Donaldson and Whiting –1927) [C]Day [F#dim]is [Dm]end[G7]ing

Professeur : Les temps en anglais : 1) Le présent * Be + ing, ou présent continu * Simple : traduit une habitude. BV * Will + BV : habitude systématique, ex : Boys will be boys. * Present perfect : avec « depuis, il y a … », have pp ≠ entrain de * Present perfect continu : have been + ing = entrain de 2) L’imparfait * Preterit simple * Preterit continu : was, were + ing * Would (≠ conditionnel ) : habitude répétitive dans le passé * Used to + BV

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almost exclusively British practice was the tradition of using small boys, and sometimes girls, to climb narrow chimneys as apprentices to adult chimney-sweeps. George Phillips reports that elsewhere in the world chimneys were most often cleaned with a weighted rope operated by two men and later by machinery invented for the purpose, but it was an English tradition to use climbing boys. “Once he had started to employ climbing-boys, the Englishman did not wish to change his habit; and the custom of

self-penned, Yet another emotional suicide overdosed on sentiment and pride.” - Script for a Jester‟s Tear. Dans le dernier extrait, Fish semble parler de ne pas oublier ces moments. “The fool escaped from paradise will look over his shoulder and cry, Sit and chew on daffodils and struggle to answer why ? As you grow up and leave the playground, Where you kissed your prince and found your frog, Remember the jester that showed you tears, the script for tears.” - Script for a Jester‟s Tear. Bien

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Then, he took the suitcases, and went to the room with the driver. Lily and William were alone; an embarrassed silence settled in. Suddenly, William took Lily‟s hand, and kissed it. Lily did not have the time to say a word, when they heard an enormous cry. All the holidaymakers were in room 12. A man was laying on the floor on the middle of a pool of blood. Lily was taken by nausea, and, when she came in the room, she thought that she may vomit. “No, no...NO! Oh no, Aaron please, wake up, WAKE UP!” she

film 1. Here are some pieces of poetry that would come up in the film as well as the quotations of the main character, Professor Keating. Discuss them starting with the Professor’s first quotation on the nature and relevance of poetry. "We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life

own language. You may find, as you study Spanish, that you learn a lot about English as well. At their core, all languages share some simple components like verbs, nouns, adjectives, and plurals. Your first language comes naturally to you and you don't think about things like subject-verb agreement, verb conjugation, or usage of the various tenses; yet, you use these concepts on a daily basis. While English is described as a very complicated language to learn, many of the distinguishing grammar structures