Don't Let Me Down

step-ladder, carries it over and sets it down under window left, gets up on it, draws back curtain. He gets down, takes six steps (for example) towards window right, goes back for ladder, carries it over and sets it down under window right, gets up on it, draws back curtain. He gets down, takes three steps towards window left, goes back for ladder, carries it over and sets it down under window left, gets up on it, looks out of window. Brief laugh. He gets down, takes one step towards window right, goes

E A7 La la la la, la la la la D F# Bm G D A Bm E A7 (fade out) 26-You've Got a Friend 4/4 (capo 2nd) G/C Cd/Gsus4 G/F#m7 B7 Em B7 Em B7 Em7 When you're down and troubled and you need some loving care, Am7 D7sus4 G Gsus4 G and nothing, oh, nothing is going right, F#m7 B7 Em B7 Em7 close your eyes and think of me and soon I

even if I could it'd all be grayBut your picture on my wallIt reminds me, that it's not so badIt's not so bad...[Eminem as 'Stan'] Dear Slim, I wrote but you still ain't callingI left my cell, my pager, and my home phone at the bottomI sent two letters back in autumn, you must not-a got 'emIt probably was a problem at the post office or somethingSometimes I scribble addresses too sloppy when I jot 'emBut anyways, fuck it ! What's been up ? Man how's your daughter ?My girlfriend's pregnant too,

1927) 2 [C]Ain't [Gdim]She [G7]Sweet? See her [C]coming [Gdim]down the [G7]street! Now I [C]ask you [E7]very [A7]confi[A7+5]dentially [D7]Ain't [G7]she [C]sweet? [G7] [C]Ain't [Gdim]she [G7]nice? Look her [C]over [Gdim]once or [G7]twice. Now I [C]ask you [E7]very [A7]confi[A7+5]dentially [D7]Ain't [G7]she [C]nice? Just cast an [F9]eye in her di[C]rection Oh, me! Oh, [F9]my! Ain't that per[C]fection?[G7] [C]I [Gdim]re[G7]peat, don't you [C]think that's [Gdim]kind of [G7]neat? And I [C]ask you [E7]very

first yellow rays of sunlight hit their faces. He looks over the lawn, an empty bowl, water tin and a doghouse posting the name MEGAN. The gate has been left OPEN. DEAN Okay sweetheart go check in the house, see if she’s in there. He lets Frankie down on the ground. She crawls inside the doghouse. There's no one home. DEAN (cont’d) Megan! (CONTINUED) Blue Valentine Official White as of 12/23/10 CONTINUED: 2. Dean carries Frankie to the front yard. They look around. FRANKIE When's she going

catching a train can grow into a serious obsession. At least half an hour before it was time to leave the house for the station, Mrs Foster would step out of the elevator all ready to go, with hat and coat and gloves, and then, being quite unable to sit down, she would flutter and fidget about from room to room until her husband, who must have been well aware of her state, finally emerged from his privacy and suggested in a cool dry voice that perhaps they had better get going now, had they not? Mr Foster

Andrew Strong - Dark End of the Street Lyrics At the dark end of the street that is where we always meet hiding in shadows where we don't belong living in darkness, to hide alone You and me, at the dark end of the street You and me I know a time has gonna take it's toll we have to pay for the love we stole It's a sin and we know it's wrong Oh, our love keeps going on strong Steal away to the dark end of the street You and me They gonna find us, they gonna find us

order to examine the skills and professional experience of the applicant and finally to keep them. 6. She feels these letters show evidence that she is a competent and fully qualified teacher. They prove she has been well trained and that she has already had a teaching experience. Therefore she is bound to be fit for that job. 7. First and foremost she takes and holds the letters. Yet she can’t be bothered to read them although all her questions might have found answers if she had read them. Eventually

had to go. 9- We must have taken the wrong way for we’re back where we started. There is nothing to be seen in the area, only a few broken farm buildings that must have fallen down years ago. 10- This head of state keeps betraying his international commitments. We must face facts: we must not let our guard down; 11- She mustn’t get tired. She is recovering from a serious illness. Fortunately she doesn’t have to work as she is quite well off. 12- You do look tired. Shall I run you

Mann Scene Vincent Hanna and Justine Hanna   Justine Hanna: I guess the earth shattered?  Vincent Hanna: So why didn't you let Bosko take you home?  Justine Hanna: I didn't wanna ruin their night too. What was it?  Vincent Hanna: You don't wanna know.  Justine Hanna: I'd like to know what's behind that grim look on your face.  Vincent Hanna: I don't do that. You know it. Let's go, come on.  Justine Hanna: You never told me I'd be excluded.  Vincent Hanna: I told you, when