L Enfant Et La Rivière H Bosco

forms of fifteenth-century theatre, broadly classed as ‘comic’, were performed by regular but non-professional companies which survived into the Renaissance. The Basoche was made up of students and lawyer’s clerks, while the bourgeois laity formed the Enfants Sans Souci, though the two often overlapped. Between them, they were responsible for devising and staging a kind of play more appealing to urban audiences: the morality. The morality personified the battle fought between virtues and vices for the soul