Monologue Rastignac Suite Vautrin

«Écrire l’histoire : Michelet et la Bastille», mémoire de maîtrise, 1992, v, 120, 10 p. Dir. : Gilles Marcotte. Cote : UdeM D. Thèses PQ 35 U54 1993 v.001; UdeM L.S.H. PQ 35 U54 1993 v.001; Microfilm; CÉTUQ. Bénard, Johanne, «Pour une définition du monologue intérieur : son actualisation dans le roman québécois», mémoire de maîtrise, 1981, viii, 137 p. Dir. : Guy Laflèche. Cote : UdeM D. Thèses PQ 35 U54 1981 v.007; UdeM L.S.H. PQ 35 U54 1981 v.007; Microfilm; CÉTUQ. Bénard, Johanne, «Pour une lecture

writer to rank with the Italians. He adopted new forms (the epigram, the elegy, and above all the épître, some in the form of wittily turned begging letters) and he revived old ones (like the ludic coq-à-l’âne). L’Adolescence clémentine (1532) and its Suite (1533) delighted the court and confirmed him as a poet with a personal voice, urban in outlook, playful and satirical, sometimes savagely so. For a deeper note is struck by his sympathies with the Reformers (he was jailed in 1526 for breaking the Lenten