My Fair Lady

presse sur « musique et cinéma » à consulter à la Médiathèque : (table des matières jointe en annexe ) Livres La Comédie musicale / Brion. - Genève : Liber-Raisons d'agir, 1997. Résumé : 20 comédies musicales, du Chanteur de jazz (1927) à My fair Lady (1964) pour mieux connaitre un des genres les plus prestigieux de la production hollywoodiene.. Cote: THEM.MU.002, Maison de l'Image (9, bd de Provence - 07200 AUBENAS). La Comédie musicale : du chanteur de jazz à cabaret / Brion. - Paris : Editions

fan) Jean-Paul Sartre, through an apotheosis entitled Saint Genet, popularized the notion that the playwright intended the three characters of Claire, Solange and The Mistress to be performed by men. This is rather easily construed from the novel Our Lady of the Flowers, where Genet plainly claims that he would appoint adolescent boys in any women’s roles for the stage. It is largely believed that Genet conceded to casting women in the original 1947 Paris production in order to get The Maids produced

Gun[->51] en 1946, Miss Liberty en 1949 ou Call me Madam en 1950), Frank Loesser[->52] (Guys and Dolls[->53] en 1950) Cole Porter[->54] (Kiss Me, Kate[->55] en 1948),mais également à de nouveaux venus : Alan Jay Lerner[->56] et Frederick Loewe[->57] (My Fair Lady[->58] en 1956), Jule Styne (Gypsy[->59] en 1959, Funny Girl[->60] en 1964). Les grandes évolutions Mais c’est le chorégraphe Jerome Robbins[->61] et le compositeur et chef d’orchestre Leonard Bernstein[->62] qui établissent les règles de la

is evident in his fifty-year-old memory of his aunt. As a result of that bias, Austen-Leigh appears to have softened the rather rough and caustic edges of his famous aunt's personality. By portraying her as the ultimate re- -1- spectable Victorian lady, he made her life palatable to his contemporaries, but he dulled the edges of her personality and wit considerably -- as can be seen by reading her letters as well as those of friends and relatives who wrote about her. He has also minimized some of

flourishing movement ought to prevail, and whether it is likely that in the end it really will prevail. An objection may be raised which I will anticipate. My own studies have been almost wholly in letters and my visits to the field of the natural sciences have been very slight and inadequate, although those sciences have always strongly moved my curiosity. A man of letters, it will perhaps be said, is not competent to discuss the comparative merits of letters and natural science as means of education

lien de cause à effet est discret. Mais ne doit pas être raté ; un des petits détails qui font l’humour du texte. A ne pas rater à la traduction. * Lignes 3 et 4 : In the back room was a table of honor for him. On the tablecloth embroidered by the lady of the house was “Here Vlashkin Eats.” Faire remarquer l’identité de construction: lieu + verbe copule + sujet ; faut-il la même identité dans la traduction????? * Ligne 4, un segment qui a posé problème à ceux qui ne connaissaient pas: out of We

his fingers mechanically as he spoke. He wore an old coat, buttoned tightly at the waist, and spoke with a strongly marked Provencal accent. Gervaise had dropped upon her chair again and uttered disjointed phrases of lamentation. "I have not closed my eyes—I thought you were killed! Where have you been all night? I feel as if I were going mad! Tell me, Auguste, where have you been?" "Oh, I had business," he answered with an indifferent shrug of his shoulders. "At eight o'clock I had an engagement

nail” and you felt no pain, ue would if I only slept with you. 2) we are now married within the “living walls” of her belly so Unlike the learned and witty style of his friend John Done, Herbert’s style in his single lB flea has sucked my blood and then your blood, she has therefore done worse to you than I au “maidenhead”, to the poet. The conceit is that of a flea. Three steps to the argument: 1) this dr sustained, unlikely, and elaborate metaphor (a “conceit”), a woman

taught me about Roman names; Dr. Ed Uthman, who helps me with medical stuff; Victoria and Debi, my continuity mavens; Toni L. P. Kelner and Dana Cameron, whose gentle comments after their first reading keep me from committing many an error; Paula Woldan, whose help and friendship keep me going; Lisa Desimini, the cover artist; Jodi Rosoff, my wonderful publicist; Ginjer Buchanan, my long-suffering editor; and my Mod Squad: Michele, Victoria, Kerri, MariCarmen, and Lindsay (current), and Debi, Beverly,

imitant le vrai car tout réside dans l’attente que l’on a de ce médicament. Document annexe1 : Filmographie Pour les étudiants ne désirant pas lire les ouvrages des chercheurs cités dans cet exposé, nous pouvons vous suggérer quelques films : - My fair lady de George Cukor avec Audrey Hepburn et Rex Harrison (1964) - Pretty woman de Garry Marshall avec Julia Roberts et Richard Gere ( 1990) - S1mone de Andrew Niccol avec Al Pacino et Winona Ryder ( 2002) Document annexe 2: L’expérience menée sur les