Reality show

this reformulation, the efforts of phenomenology become directed towards art as the pre-eminent sphere of human understanding. In order to account for this development of phenomenology, this book focuses on the theme of the imagination and attempts to show that it is this power of the mind, rather than any strictly intellectual power, that stands at the centre of both Husserl’s and Heidegger’s account of human experience. Following this basic claim, Husserl’s notion of consciousness as ‘intentional’

avoidance in general. Creativity is for the artists and dreamers, poets and ad people. It is fine to support business decisions with creative advertising, but not to have creativity be core to business thinking and business strategy. This book is going to show you that there is another way.” „Understand that passion is the starting point of all great creative ideas. If you are looking to make your mark by creating something new, make sure you are in a field that totally fascinates and captivates you.” „The

creation of the Blaue Reiter. This exhibition presented the contrast between very different contemporary works of art. Its catalogue pointed “In this small exhibition, we do not seek to propagate any one precise and special form: rather, we aim to show by means of the variety of forms represented how inner wishes of the artists are embodied in manifold ways”. The following artists were present: Kandinsky, Marc (cf figure 3), Macke, Münter, Schönberg, Delaunay, Rousseau, Niestlé, Bloch, Burliuk, Campendonk

be misunderstood. First, the claim that this copse exists is not a claim about our language. It is a claim about reality. My point is only that, if we already know that the trees exist, learning that the copse exists isn’t learning more about reality. Our only new information is about our language. Second, since our language is a part of reality, we do, in a way, learn more about reality. But we are not learning more about what is on the hill. That those trees can be called a copse is not, except trivially

what the speaker ‘had in mind’, or the idea that writing is an expression whose truth lies elsewhere, in an experience or a state of affairs which it expresses, or the notion that reality is what is ‘present’ at a given moment. Theory is often a pugnacious critique of common-sense notions, and further, an attempt to show that what we take for granted as ‘common sense’ is in fact a historical construction, a particular theory that has come to seem so natural to us that we don’t even see it as a theory

working with reality. All of these figures from 50 Cent and Napoleon Bonaparte to Cleopatra to John F. Kennedy, I believe they all share this kind of attitude. So, I am going to talk, hopefully not too long, because I really want to get to your questions, and I encourage you to barrage me with all kinds of difficult questions. I want to talk about three aspects of this attitude. The first is, what I call, Machiavellian realism or the Machiavellian reality. The second is existential reality, what it really

showed up in the strange, foggy little window was kinda cool. In Which Ad Pulled Best?, Ted Bell wrote: “There was a time in the not too distant past when the whole country sat down and watched The Ed Sullivan Show all the way through. To sell something, you could go on The Ed Sullivan Show and count on everybody seeing your message.”7 World War II was over, people had money, and America’s manufacturers had retooled to market the luxuries of life in Levittown. But as the economy boomed, so too did

role for me Im so confused Will you show to me Youll be there for me And care enough to bear me (lead me) (lay your head lowly) (softly then boldly) (carry me there) (hold me) (love me and feed me) (kiss me and free me) (I will feel blessed) (carry) (carry me boldly) (lift me up slowly) (carry me there) (save me) (heal me and bathe me) (softly you say to me) (I will be there) (lift me) (lift me up slowly) (carry me boldly) (show me you care) (hold me) (lay your

anymore. They have to adapt it depending on what each contract requires in order to please their employer. Thus these people are permanently under pressure regarding their weight that they have to constantly watch, adapt, and sometimes reduce. In the show industry, actors, dancers or singers are under the spotlights every day. This pushes them to always look perfect; The very famous designer, Karl Lagerfeld said « tell me about the 25% of girls that are overweight and then we will talk about the 2%

deux septennats devaient se précipiter dans cet entonnoir de l'exhibition intime: François Mitterrand, qui cultiva le goût de l'Histoire avec le souci d'y occuper une place de choix, ressemble de plus en plus, post mortem, au héros pathétique d'un reality show. Un des phénomènes marquants de ces dernières décennies aura été la croissante intrusion du privé dans la vie politique. En France, Valéry Giscard d'Estaing fut parmi les premiers à laisser transparaître l'homme privé derrière le masque de la