What you see is what you get

It was crowded around the counter just then, so I didn't see him at first. But once I noticed what he was up to, I started to shout. He took off like a jackrabbit, and by the time I managed to get out from behind the counter, he was already tearing down Atlantic Avenue. I chased after him for about half a block, and then I gave up. He'd dropped something along the way, and since I didn't feel like running any more, I bent down to see what it was. "It turned out to be his wallet. There wasn't any

treatise on something we all need and that has before this eluded clarity. This is an excellent book!”—Fred Luskin, Ph.D., author, Forgive for Good, and director of the Stanford Forgiveness Project be yourself everyone else is already taken TRANSFORM YOUR LIFE WITH THE POWER OF Authenticity MIKE ROBBINS author of Focus on the Good Stuff More Praise for Be Yourself, Everyone Else Is Already Taken “The title alone is such a profound reminder for all of us, and the book delivers a marvelous

have him for a long time." She didn't say "perhaps never," but each silently added it, thinking of Father far away, where the fighting was. Nobody spoke for a minute; then Meg said in an altered tone, "You know the reason Mother proposed not having any presents this Christmas was because it is going to be a hard winter for everyone; and she thinks we ought not to spend money for pleasure, when our men are suffering so in the army. We can't do much, but we can make our little sacrifices, and ought

the songs have been simplified for playing at our club meetings by a large group of Ukesters. More on TUSC at www.tusc.co.uk Shine On Harvest Moon (Jack Norwort and Nora Bayes 1908) 1 [A7]The [Dm]night was mighty [A7]dark so you could [Dm]hardly see, For the moon refused to [A7]shine. [Dm]Couple sitting [A7]underneath a [Dm]willow tree, For [G7]love they [C7]pined. Little maid was afraid of the dark She [F]said, "I guess I'll go." [G7]Boy began to [C7]sigh, [G7]looked up at the [C7]sky

and eccentric thing, to write thirty printed sheets [480 printed pages] within the space of four months, forming two separate novels, of which I will write one in the morning and the other in the evening, and to finish them by a fixed deadline. Do you know, my dear Anna Vasilievna, that even now such eccentric and extraordinary things utterly delight me. I simply don't fit into the category of staid and conventional people . . .” In this typically ebullient fashion, Dostoevsky described to a friend

types of clients out there and chances are at some point you’ll get to meet all of them. So let’s take a look through some typical clients and see if you recognise a few of your own in there! Client Breed #1 The Low-Tech Client How to spot one: Looks confused and disoriented when discussing anything high-tech, calls rather than emails, wants everything to be faxed. The Low-tech client needs to go through everything twice to get it, but will then happily take your advice. The Highs: The Low-tech

Come 'ere baby You know you drive me up the wall The way you make good for all the nasty tricks you pull Seems like we're makin' up more than we're makin' love And it always seems you've got something on your mind Other than me Girl, you gotta change your crazy ways - you hear me Say you're leavin' on the seven thirty train And that you're heading out to hollywood Girl, you've been givin' me that line so many times It kinda gets that feelin' bad looks good That kinda lovin' turns

Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. They sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food — and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future

Sells poison to ROMEO CITIZENS, SERVANTS, MUSICIANS, GUARDS, etc. Edited and adapted by David Hundsness, 2008. This adaptation may be used for free in part or whole for performance, even for profit; I ask only that you contact me at scripts@hundsness.com to let me know who is using it, and give credit to David Hundsness and www.hundsness.com where appropriate. This adaptation retains Shakespeare’s original language. It has been shortened to under two hours, cutting scenes that are typically

in quick succession.  Annenkov  That's him.  He leaves. Dora is waiting, always moving. Nenkov year-Stepan he holds back with the shoulders.  Annenkov  It's him! That Stepan.  [14]  DORA, she goes to Stepan and takes her hand.  What happiness, Stepan!     STEPAN  Hello, Dora.  DORA, she looks.  Three years already.  STEPAN  Yes, three years. The day they arrested me, I would join you.  DORA  We had expected. Time passed and my heart would ser-growing