Behind the Front

[pic] By Samuel Beckett Bare interior. Grey Light. Left and right back, high up, two small windows, curtains drawn. Front right, a door. Hanging near door, its face to wall, a picture. Front left, touching each other, covered with an old sheet, two ashbins. Center, in an armchair on castors, covered with an old sheet, Hamm. Motionless by the door, his eyes fixed on Hamm, Clov. Very red face. Brief tableau. Clov goes and stands under window left. Stiff, staggering walk

is represented ce qui est représenté in the photo dans la photo, sur la photo the still camera l’appareil photo(graphique), l'appareil de prise de vues cam (tronc. fam. de camera) appareil photo (paper)print tirage (sur papier) (le résultat) black-and-white print tirage noir et blanc colour print tirage couleur the vertical format le format vertical (syn. the portrait format le format portrait) the horizontal format le format horizontal (syn. the landscape format le format paysage) digital

Deutsche Handelsmarine, Seemanskartei und Personalausweis Hartig Möller was a merchant seaman during the early years of the Third Reich. He worked for the Hamburg-South America Steamship Company (Hamburg-Südamerikanische Dampf-schifffahrts-Gesellschaft, HSDG) periodically from October 1937 to August 1939 as a cook on the luxury passenger liner Cap Arcona that sailed from Hamburg to the South American ports of Buenos Aires and Rio de Janeiro.[1] He returned to Hamburg on 28 August 1939, two days

The kite runner. Phone call from Rahim Khan. R: Amir Jan. A:Rahim Khan? R: it's kind of you to remember. I have missed you, Amir Jan. A: it's good to hear your voice. R: you should come home. A: home? (sighing) I don't know if now's such a good time. R: it's a very bad time, but you should come. There's a way to be good again, Amir. Back in time. Amir and Hassan. A: what are you doing here? H: come and sit Amir. A: you're wasting time here. The kite went the other way. H: it will

Arthur Miller’s modern drama, “Death of a Salesman” (DOAS), is the tale of common men in pursuit of the elusive “American Dream” in the late 1940’s. Miller uses the protagonist to harshly criticise the selfishness perpetuated through capitalism and the dismal domino effect that it unleashes upon its practitioners; an act that caused him to be labelled a criminal communist. The pejorative effect of the economical system is portrayed through the various modern dramatic techniques, structure and characterisation

between them. Most of time the screen tries to imitate the real world. We can see it in films for example. The scenarist projects us in another world but most of time it has to be close to our reality. Everybody knows that the person who reads the script has to understand the character’s emotion to be touched. We have to see ourselves in a film to like it. That’s to say that a good film is not only about fiction but also about reality. In this sense we have to ask: Are the new means of communication

1- The ice cream industry 4 a- Definition 4 b- Competitors 4 c- Market analysis 5 2- Ice cream industry analysis: Porter’s five forces 5 1- Power of buyers 5 2- Power of suppliers 6 3- New entrants 7 4- Substitutes 8 5- Rivalry 8 3- Criticism of Porter’s model 9 [pic] 11 [pic] 12 [pic] British consume a yearly average of 8,5 litres of ice cream which is way behind United States, New Zealand or Denmark where consumption surpass 20 litres. Increasing

Introduction At the time of Robert Parker and his heavy bodybuilded wines, the organic wine movement is becoming increasingly important. Across the world the number of estates converting to organic farming is increasing markedly. France leads the way. Nearly 10% of French vineyards should be converted to organic in 2012, making the wine industry one of the fastest growing organic sector, according to a survey released by the independent growers' union. These last four years, the growth surfaces

Young adults And the cinema How effective is the cinema advertising on the young adult audience? 1. Introduction From the Lumières Brothers to the Cohn Brother, and from the Oscars to the Cannes Film Festival, the story of the cinema is at the heart of the media revolution. More than just a new technology, the cinema quickly became one of the most popular art form and one of the favourite leisure of the 20th century. Nowadays, the cinema is as media that mostly attracts a young

Easter falls late next year”. Might ( verbi modali ) • Per indicare che qualcosa è possibile e forse accadrà. Ex “ I might go to the cinema today”. • La forma negativa è might not • a questa forma può esser sostituita anche MAY, la quale è utilizzata anche per chiedere il permesso di fare qualcosa. Ex “ May I ask a question?”. Can // Could // be able to