Come as You Are

Penguin, 1999). The Feynman Lectures on Gravitation and The Feynman Lectures on Computation are both forthcoming in Penguin. His memoirs, Surely You're Joking, Mr Feynman, were published in 1985. The Meaning of It All Richard P. Feynman Contents I.The Uncertainty of Science II.The Uncertainty of Values III.This Unscientific Age These lectures, given in April 1963, are published here for the first time. We are grateful to Carl Feynman and Michelle Feynman for making this book possible. I The Uncertainty

l'objet suivra les deux prépositions, qu'il s'agisse d'un substantif ou d'un pronom : • How can you put up with him? (Comment pouvez−vous le supporter ?) • Bill should not go out with Monica. (Bill ne devrait pas sortir avec Monica.) TEST − Compléter chaque verbe prépositionnel avec la bonne préposition. 1. I need to turn ___________ my hi−fi system to listen to the radio. 2. "Stop it now! You are too noisy! Turn ____________ your music!" 3. I'm going to have a rest. I take ________ my clothes

suis You are - Tu es He is - Il est She is - Elle est It Is - Il/elle est (objet) We are - Nous sommes You are - Vous êtes They are - Ils sont Be + Ing I am playing - Je suis entrain de jouer You are playing - Tu es entrain de jouer He is playing - Il est entrain de jouer She is playing - Elle est entrain de jouer It is playing - Il/elle (objet/animal) est entrain de jouer We are playing - Nous sommes entrain de jouer You are playing - Vous êtes entrain de jouer They are playing

LETTER HELP Dear Sir or Madam: (use if you don't know who you are writing to) Dear Dr, Mr, Mrs, Miss or Ms Smith: (use if you know who you are writing to, and have a formal relationship with - VERY IMPORTANT use Ms for women unless asked to use Mrs or Miss) Dear Frank: (use if the person is a close business contact or friend) The Reference With reference to your advertisement in the Times, your letter of 23 rd March, your phone call today, Thank you for your letter of March 5 th . The

I? you are you're you are not you're not / you aren't are you? - are you not? aren't you? he is he's he is not he's not / he isn't is he? - is he not? isn't he? she is she's she is not she's not / she isn't is she? - is she not? isn't she? it is it's it is not it's not / it isn't is it? - is it not? isn't it? we are we're we are not we're not / we aren't are we? - you are you're you are not you're not / you aren't are you? - are you not? aren't you? they

Extract 6 Reverend Ambrose wants to talk to Grant about the importance of saving Jefferson’s soul. There are only three weeks left before the execution and he knows that Grant is the only one Jefferson will listen to. Grant says that he can’t prepare Jefferson for a “better world” after death because he doesn’t believe in it. Reverend Ambrose tells him that although he went to college, Grant is far from educated, he knows little about his own people and doesn’t even really know himself. In

his reply with a yawn. “Was that fellow there?” Selvi asked. “You mean her lover? He was also there. They were talking very intimately and he was full of spirits,” he said. “You must have felt very bad,” she said. “No, it had to happen,” He washed his face and sat at the table. “When did their affair begin?” “A few months after our marriage. She must have met him somewhere. Anyway I was not meant for her.” “Then why did you marry her in the first place?’ “No choice. I joined the software

groupe hippie Country Joe. Come on all of you big strong men Uncle Sam needs your help again he's got himself in a terrible jam way down yonder in Viet Nam so put down your books and pick up a gun we're gonna have a whole lotta fun And it's one, two, three, what are we fighting for don't ask me I don't give a damn, next stop is Viet Nam And it's five, six, seven, open up the pearly gates ain't no time to wonder why, whoopee we're all gonna die Come on wall street don't be slow why

tes côtés Oh, why you look so sad? Tears are in your eyes Come on and come to me now Don't be ashamed to cry Let me see you through 'Cause I've seen the dark side too When the night falls on you You don't know what to do Nothing you confess Could make me you love you less I'll stand by you Won't let nobody hurt you So if you're mad, get mad Don't hold it all inside Come on and talk to me now Hey, what you got to hide I get angry too Well I'm a lot like you When you're standing

overlords and a bourgeoisie, sham from beginning to end, which served as go-betweens. In the colonies the truth stood naked, but the citizens of the mother country preferred it with clothes on: the native had to love them, something in the way mothers are loved. The European élite undertook to manufacture a native élite. They picked out promising adolescents; they branded them, as with a red-hot iron, with the principles of western culture, they stuffed their mouths full with high-sounding phrases, grand