Exposé Sur Les Punk

imperatives and his Satires (1660–1708) move from the portrayal of modern life, through literary criticism (he defended Molière and mocked empty vessels like Chapelain) to a consideration of human folly and social abuses in more general terms. Reluctant to expose his limitations as a writer by tackling the ‘great’ genres, he was nevertheless a considerable stylist, capable of a wide range of tones. Passages from the Satires, together with his contributions to the Chapelain décoiffé and his satire of the heroic

representation’) reads: ‘(1) A person is in breach of this section if he — (a) dishonestly makes a false representation, and (b) intends, by making the representation — (i) to make a gain for himself or another, or (ii) to cause loss to another or to expose another to a risk of loss. (2) A representation is false if — (a) it is untrue or misleading, and (b) the person making it knows that it is, or might be, untrue or misleading. (3) “Representation” means any representation as to fact or law, including