Fear and Desire

Juvenile Source: http://www.gutenberg.org 1 About Lang: Andrew Lang (March 31, 1844, Selkirk – July 20, 1912, Banchory, Kincardineshire) was a prolific Scots man of letters. He was a poet, novelist, and literary critic, and contributor to anthropology. He now is best known as the collector of folk and fairy tales. The Andrew Lang lectures at St Andrews University are named for him. Source: Wikipedia Also available on Feedbooks for Lang: • The Blue Fairy Book (1889) • The Red Fairy Book (1890) • The

être juste, il faut préciser que chacun vient au fantastique comme dans une auberge espagnole : en n'y trouvant que ce qu'il apporte. Selon sa vision de la chose littériare, selon sa propre conception de l'imaginaire et, plus encore, selon qu'il désire accueillir telle ou telle oeuvre et exclure telle ou telle autre." 5 LES GENRES PROCHES 5.1 L’épouvante Ce genre qui connaît un regain d’intérêt actuellement se confond volontiers avec le fantastique. En littérature, des maisons d’édition proposent

Chapter One - Modernism Modernism - Context The period of modernism, in its broadest sense, stretches from the 1850s to the present and represents one of the major shifts in the cultural thought and values of Western culture. The beginning of the modern period marks the end of the Renaissance period of humanism and optimistic individualism prevalent since the mid-seventeenth century[1]. Defined more narrowly, the term modernism applies to the twentieth-century literary movement whose

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Crime and Punishment A NOVEL IN SIX PARTS WITH EPILOGUE BY Fyodor Dostoevsky Translated and Annotated by Richard Pevear and Larissa Volokhonsky Translation copyright © 1992 ISBN: 0679405577 Foreword “I want to do an unprecedented and eccentric thing, to write thirty printed sheets [480 printed pages] within the space of four months, forming two separate novels, of which I will write one in the morning and the other in the evening, and to finish them by a fixed deadline. Do

Research paper: * Der Blaue Reiter and the Degenerate art exhibition. * * * Cover of the Blaue Reiter almanac, W. Kandinsky, 1911 Poster for the degenerate art exhibition, from Otto Freundlich, Der neue Mensch At the beginning of the XXth, Germany was one of the strongest economical, military and diplomatic powers in the world. The country wanted to expand its boundaries by the way of colonization and develop its business, and was thus very opened on the world

you here, and a particular pleasure to welcome our honored guest, Robert Greene. He is, well, you are all here, so I think you probably know a lot about his books, his writings. I’ll state just a few words. He has trained in classical literature. And then had a very shifting career for some early period of his post-college life. And then settled in to write a series of extremely fascinating books that draw on the classical training and readings that he did. The books that the lives and writings of

ÉCONOMIE ET SOCIÉTÉ CONTEMPORAINE ANGLAIS BRITAIN AND ITS HISTORICAL RELATIONSHIP WITH THE EUROPEAN CONTINENT • Has isolationism always existed? • When and how did isolationism come about? • Has isolationism been the main reason for the difficulties of British integration into EU? By studying the past, it will be easier to understand British identity. It will be clear that British identity has always been intertwined with continental Europe. Part I : The Historical Background

Parliament – Powers In a historical perspective and fairly common, a Parliament is the legislative body of a system consisting of one or more assemblies of representatives of one or several peoples. In a democratic system, it is responsible mainly to pass the bill. In parliamentary systems, it has power to overthrow the government. Thus, the European Parliament is one of the strongest characteristics of the European Union, and that tends to distinguish it from traditional international

Caribbean, with no center and no outward edge. Where almost everything was foreign. Language, people, landscape even. --Michelle Cliff, Free Enterprise What is really Swedish culture? In an era of population movements and communication satellites will it survive, or will it be enriched? And the questions are perhaps just slightly changed in the real centres of the world. What would life be like there without swamis and without reggae, without Olympic Games and ‘the Japanese model’? In