Funeral Blues

‘Merseybeat’ of Liverpool. Tourism marketers, also intentionally take advantage of the power of music. For instance, traditional Irish music is used when Ireland is the destination, rock and roll and Elvis Presley music are used to sell the whole of USA, blues music markets the southern USA states and country music the USA Corn Belt States in particular (Morgan and Pritchard 1998: 81). 38 Table 2.2 The tourism image in song City Barcelona California Dublin Ireland Japan Las Vegas London New York Paris

that it deserves to be demonstrated here. 1. It has a shrill and piercing timbre. 2. This quality suits it perfectly to its role in Hector Berlioz’s Symphonie fantastique, where it represents a gnarled and evil witch who dances an obscene jig at a funeral. Musical selection: Hector Berlioz, Symphonie fantastique (1830), movement 5, sopranino clarinet solo. 3. Berlioz was the most innovative orchestrator to his time. His use of instruments and instrumental combinations became a model for every generation

new era. Smart agencies and clients everywhere saw for themselves that advertising didn’t have to embarrass itself in order to make a cash register ring. The national TV audience was eating it up. Viewers couldn’t wait for the next airing of VW’s “Funeral” or Alka-Seltzer’s Salesmen Don’t Have to Wear Plaid 7 Figure 1.2 In the beginning, there was the word. And it was “Lemon.” “Spicy meatball.” The first shots of the Creative Revolution of the 1960s had been fired.* How marvelous to have

visual arts. The committee will certainly consider as part of the core product the paintings and objects 64 Tourism Marketing for Cities and Towns that can be enjoyed in museums or galleries. However, any public art, including civic and funeral monuments, should also be included in the analysis. The performing arts are also an important part of the core product that can be enjoyed by tourists. The city may provide tourists the opportunity to listen to various types of live music, including

Columbine High School, Colorado, le 21 avril 1999. b. C’est le récit d’un témoin. Cette femme a fait partie des secours, donc elle a dû voir des victimes, entendre des récits. Elle a pu avoir une vision globale de la tragédie. c. sacrifice, student, funeral, teacher, hero, traumatized 3 a. une seule voix, une femme b. un témoignage c. school shooting • the US army • the impact of a tragedy on a man’s life • choosing a career 4 a. b. Concetta Kyle raconte ce qu’elle a vécu le 21 avril 1999. Elle est