Street Fighting Years

she leafs through her notebook – “Bruhat-Tits spaces, a pumping lemma, and even degenerate colonels !” There were three medieval kingdoms on the shores of a lake. There was an island in the middle of the lake, over which the kingdoms had been fighting for years. Finally, the three kings decided that they would send their knights out to do battle, and the winner would take the island. The night before the battle, the knights and their squires pitched camp and readied themselves for the fight. The first

une voie aussi pure Au convoi d'un grand mort suivi de miniatures ? Tous les grognards - petits - de Verlaine étaient là, My heart can you recall, that Boul Mich of times past The finest day of which, was a day fine and cold God ! Was ever grand street so purely laid open For funeral of a great, followed by miniatures ? All the old crowd – small fry- of Verlaine, they were there Toussotant, frissonnant, glissant sur le verglas, Mais qui suivaient ce mort et la désespérance, Morte enfin, du premier

l’identité de la locomotive par X et la date par D. Le corpus manifeste une grande variété dans la présentation de l’événement. La phrase-noyau peut décrire l’événement directement, comme en (4) : 101 (4) In a typical suburban working, X approaches Roma Street with a set of side-loading cars. Ailleurs, il est explicitement indiqué qu’il s’agit d’une photographie, d’une scène ou d’une vue : (5) In a view from D the X, by then owned by the RGS although its tender still bore D&RGW lettering, eases down Dallas

11:49:20 The “American” (u.s.) Experience – A Swinging Pendulum? Micheal Cassin P erhaps I should begin with a disclaimer: I am not originally from North America. I was born in the U.K., and I worked as an educator in various museums there for 20 years before moving to the U.S.A. to become Curator of Education at the Sterling and Francine Clark Art Institute, which houses a wonderful collection of European and American fine and decorative art and is located in Williamstown, Massachusetts. I was not

lequel la monétisation d’une économie prend forme. Depuis la retombée de la vague marxiste dans les années 1970, le mot « capitalisme » semble être tombé en désuétude dans les milieux universitaires. Une recherche rapide sur le site Iinternet du Wall Street Journal montre que ce journal dernier l’emploie peu ou prou une vingtaine de fois par mois, pour en chanter les louanges naturellement. Cette étude tente de suivre le processus par lequel des relations capitalistes s’infiltrent dans l’économie et

Center for Advanced Study in the Behavioral Sciences at Stanford. I gratefully acknowledge all this support. In addition I have the Rockefeller Foundation to thank for a grant which provided secretarial help in keeping up the flow of typescript during years when the secretarial services of the Institute and the Center were not at my disposal. Last winter I enjoyed the close collaboration of Donald Davidson, who studied drafts of the book and gave me the benefit of his able criticism and his knowledge

strategy. First, in Un fil à la patte (1894), the classical plot structures of light comedy enhanced the frantic movement on stage which revealed a terrifying void through a useless agitation. But Feydeau used to be even more revolutionary. Indeed, a few years earlier, Chat en poche (1888) wasn’t well received by the Comparatismes -n° 1Février 2010 131 critics because of its central case of mistaken identity – too long and absurdist. Since then, throughout his career, Feydeau managed to respect the

suffisamment forts pour que personne n’ait besoin de se lancer dans une croisade morale à ce sujet ». Voir www.opensource.org pour plus de précisions. 24. Gomes L. (1998), Microsoft acknowledges growing threat of free software for popular functions, Wall Street Journal, 3 novembre: B6; et le “Halloween Memo” à l’adresse GNU/Linux.miningco.com/library/blhalloween.html. 25. On peut trouver une version non autorisée du Halloween Memo sous forme intégrale à l’adresse www.scripting.com/misc/halloweenMemo.html