The Sound of Silence

lire tel quel : the passage can be studied as a self-contained unit. De quel type de passage s'agit-il ? This passage is … : descriptive polemical dialectic sociological controversial explanatory anecdotal poetic imaginative autobiographical didactic Faire un bref résumé du texte en montrant quel est l'intérêt du passage. Résumez en 1 ou 2 phrases sans commenter. This passage deals (almost) exclusively with … This passage seems to be telling us about … The passage describes

fréquence du son : l'oreille est moins sensible aux basses fréquences (le point le plus sensible se situant entre 3000 et 4000 Hz), et on perçoit mieux les fréquences graves et aigues à fort niveau. Enfin, l'oreille a besoin de silence pour récupérer, et cet espace de silence doit être plus important lorsque l'on a subi de fortes intensités. Deuxième caractéristique notable : il n'y a pas que l'oreille qui perçoit les sons – en réalité, tout notre corps (et tout corps en général) y réagit : mets-toi

Voir la belle synthèse de David Garrioch, « Sounds of the city : the soundscape of early modern European towns », Urban History, vol. 30, n° 1, 2003, p. 5-25. La notion de paysage sonore est née des travaux du Canadien Raymond Murray Schafer, Le Paysage sonore. Toute l'histoire de notre environnement sonore à travers les âges, Paris, J.-C. Lattès, 1979 [1er édition anglaise, 1977]. 2 Voir Mark M. Smith, « Making Sense of Social History », Journal of Social History, vol. 37, n°1, Fall 2003 ou Alexander

and part-load operation, 14.16 – 14.17 coefficient of performance, 14.14 condenser, 14.7 – 14.8 condensing temperature, 14.19 – 14.20 controls, 14.16 – 14.18 cooling water entering temperature, 14.19 cooling water temperature control, 14.17 – 14.18 corrosion control, 14.20 crystallization and controls, 14.17 difference between absorption and centrifugal chillers, 14.18 – 14.19 evaporating temperature, 14.19 evaporator and refrigerant pump, 14.6 flow of solution and refrigerant, 14.9 – 14.11 generators

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thoughts beyond this last retreat? Why feels my heart its long-forgotten heat? Yet, yet I love! — From Abelard it came, And Eloisa yet must kiss the name. Dear fatal name! rest ever unreveal'd, Nor pass these lips in holy silence seal'd. Hide it, my heart, within that close disguise, Where mix'd with God's, his lov'd idea lies: O write it not, my hand — the name appears Already written — wash it out, my tears! In vain lost Eloisa weeps and prays, Her heart still dictates, and her hand obeys.

StilUn der hill, Eve lyn Fig. 1 : Blue Collage, 1954........................................................................ 31 Fig. 2 : Symbol, 1946................................................................................. 169 Fig. 3 : Head of a Girl, 1945..................................................................... 204 Fig. 4 : Head, 1945..................................................................................... 206 Fig. 5 : Embrace, 1945...............................

theater and the movies Differences between the stage theater and the movies – for Vachel LINDSAY: * THE AUDIENCE: * In the real theater, the audience is more ‘respectful’, it is quiet and totally concentrated on what is happening on stage. Contrarily to the movies where “the audience is not worked up into the deadly still mob-unity of the speaking theater.” * In the stage theater, the audience forms a group, a unit, whereas, in the movies, the audience is composed of individuals

I. THE AUTOR. 1) The book and the author. Pride and Prejudice, Jane Austen, penguin readers; 1945. 2) Biography of Jane Austen. Jane Austen was born on 16 December, 1775, at the rectory in the village of Steventon, near Basingstoke, in Hampshire. The seventh of eight children of the Reverend George Austen and his wife, Cassandra, she was educated mainly at home and never lived apart from her family. She had a happy childhood amongst all her brothers and the other boys

relation d`amitié celle ci est un peu ambigu. D`une coté R. manipule Meursault pour son propre intérêt pour que plus tard il démontre sa loyauté au cours du procès en témoignant pour son innocence. Lexique l`auteur/ l`écrivain les personnages= the caracters le caractère= personality Résumé de l'Etranger Première partie Meursault, le narrateur, est un jeune et modeste employé de bureau habitant Alger. Le récit commence le jour de la mort de sa mère. Au petit matin, il reçoit un télégramme