Come Out

THE GOAL 1 I come through the gate this morning at 7:30 and I can see it from across the lot: the crimson Mercedes. It's parked beside the plant, next to the offices. And it's in my space. Who else would do that except Bill Peach? Never mind that the whole lot is practically empty at that hour. Never mind that there are spaces marked "Visitor." No, Bill's got to park in the space with my title on it. Bill likes to make subtle statements. So, okay, he's the division vice-president, and I'm just

the United States of America LOVE POEMS 5 AFTER LOVE AND FEAR, THERE’S PRIDE After love and fear, there’s pride; After tears, the night; After all the words are gone, A chair with just one light. After memories, the dream That you will come home safe; After sleep, another day Of waiting for my life. After hope, the happiness Of thinking of your love; After moments of despair A stone no thought can move. After all the sacrifice, The hunger and the pain, The passions and the promises, The

frail to break an egg but strong enough to have lasted this long, and nobody dared ask just how long she had lasted. Centuries seemed appropriate when you looked at the skin on her hands. She coughed dryily. Most of the kids from round the block had come to the farewell party that they were throwing in my honor, as I made my way back to England after nine years of life in Connecticut, and I knew almost all of them. We sat in front of her, my elder brother in front of me, waiting. And she spoke softly

effects loop with your tape machine or mixer. This is how to do it: put the mic into an input channel, and adjust the level so that it's just below peaking. Send that signal out onto the auxiliary bus. If using a mixer, then turn the AUX 1 knob for that input channel up -this puts the signal on the AUX bus- and then send the signal out of the AUX MASTER SEND jack by turning up the AUX MASTER SEND control knob. The effects unit will have a jack into it's input from the AUX MASTER SEND on the mixer or tape

CHIQUITITA, YOU AND I KNOW HOW THE HEARTACHES COME AND THEY GO AND THE SCARS THEY'RE LEAVING YOU'LL BE DANCING ONCE AGAIN AND THE PAIN WILL END YOU WILL HAVE NO TIME FOR GRIEVING CHIQUITITA, YOU AND I CRY BUT THE SUN IS STILL IN THE SKY AND SHINING ABOVE YOU LET ME HEAR YOU SING ONCE MORE LIKE YOU DID BEFORE SING A NEW SONG, CHIQUITITA TRY ONCE MORE LIKE YOU DID BEFORE SING A NEW SONG, CHIQUITITA SO THE WALLS CAME TUMBLING DOWN AND YOUR LOVE'S A BLOWN OUT CANDLE ALL IS GONE AND IT SEEMS TOO HARD

PROVERBS ------------------------------------------------- P. FAUVET GEII 1 AN1 To call shotgun / To call dibbs / Frist come, frist served / Thecarly brid catches the wors : Prem’s / Premier arrivé premier servi Haste makes waste : Rien ne sert de courir, il faut partir à point / Hate est source d’erreur . To up the ante: faire monter les enchères, corser les choses (poker) To come up empty handed : Rentrer bredouille Go and stuff yourself ! : Tu peux te le mettre où je pense Get over it ! :

caught. It was really extraordinary how in certain people a simple apprehension about a thing like catching a train can grow into a serious obsession. At least half an hour before it was time to leave the house for the station, Mrs Foster would step out of the elevator all ready to go, with hat and coat and gloves, and then, being quite unable to sit down, she would flutter and fidget about from room to room until her husband, who must have been well aware of her state, finally emerged from his privacy

Before Viewing the film 1. Here are some pieces of poetry that would come up in the film as well as the quotations of the main character, Professor Keating. Discuss them starting with the Professor’s first quotation on the nature and relevance of poetry. "We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary

Shakespeare ; and thus it would remain if every fact of his daily existence were known to us. Thus, in differing degrees and for various reasons, it is with Cervantes and Swift, with Keats and with Heine. Others, on the con- trary, stand out clearly as the best product of the particular set of circumstances grouped about their lives. They seem to be the finished result of a given up-bringing, of a precise tutelage, and of a chosen career. Of this second category Guy de Maupassant

kennels but they still gave the girls a scare as they tried to rush past them. Fortunately the strong chains held. The girls opened the wooden gate and were greeted by a little four year old girl who was playing with hers toys on the large verandah. "Come inside", she said warmly as she opened the door "My name is Susan," she added as she rushed inside. "Mummy" she yelled, "there's two girls outside and there're all wet." Daisy and Gracie didn't accepte the child's invitation to go inside but stood