Dead Man Island

future or, any economic future at all. In their wake, they leave behind the hollow footprints of a cultural and domestic abandonment. 2,501 Migrants: A Journey illustrates this through the story of Alejandro Aantiago, a middle-aged artist and family man from Oaxaca, Mexico. Relatively affluent and erudite, Alejandro returns home after a brief self-exile in France. But upon arrival to his native Teococuilco, he is struck by what he perceives as a virtual ghost town. Alejandro experiences, first hand

This article is quite pessimistic since the title is “The politics of disaster”. Under this title, we can see a caricature of Barack Obama who seems devastated. He is in the slick with a paper in his hand, the energy bill, whereas a man behind him is holding a dead bird. The energy policy of Barack Obama is considered as “a mess”. As the title of the article underlines the main theme of the text, we understand that this article focuses on the Obama’s current policy in the United States but also

said the man. “And we’ll continue to do so, as long as there’s progress.” “I wasn’t aware any progress had been made.” “Not in terms of an identity or an occupation. But we are finding out what’s most comfortable for you, what you deal with best. It’s a little frightening.” “In what way?” “Let me give you an example.” The doctor put the clipboard down and got out of the chair. He walked to a primitive cupboard against the wall, opened a drawer, and took out a large automatic handgun. The man with no

of him do we keep in mind? The image is positive even though up to this point he was only describe as a villain. 4. Rephrase the king’s words about Cawdor. (l.10 to l.14) It’s impossible to know what a man thinks from his place / from the look on his face. I really trusted him. He was a man I totally trusted. 5. Comment He wishes he had been more clear-sighted and he could have looked into his places. 6. Read from l.14 to 22: what’s the king’s reaction to his arrival? How does he greet

démocraties occidentales est si interpellant surtout lorsqu'on apprend qu'ils ont exécutés 85 personnes en l'an 2000.     Ainsi douze états ont abolis la peine de mort ; Alaska, Hawaï, Iowa, Massachusetts, Maine, Michigan, Minnesota, Nord Dakota, Rhode Island, Vermont, Virginie Occidentale, Wisconsin. On peut remarquer que ce ne sont que des états du nord (hormis Hawaï), en revanche trente-huit états l'ont rétablie depuis 1976. LA PEINE DE MORT DANS L’ART L'art est un moyen d'interpeller le public sur

considerable cultural importance. Stoker was not the first writer to make use of the vampire legend. Throughout the nineteenth century vampires appeared in a number of works, including Sheridan LeFanu's Carmilla (1872), which Stoker read as a young man. But it is Stoker's version of the vampire legend that has had the most enduring popular appeal and the greatest influence on twentieth-century writers and filmmakers. In his book Vampires Unearthed, Martin Riccardo tells the story of a survey taken

to America N C E Le mythe fondateur des États-Unis 1 Séquence Civilisation et Culture From east to west S É Q U E N C E 2 Western expansion The Native Americans Compétences Compréhension orale A tour of Ellis Island Compréhension écrite Texte 1 : A Boy’s Journey Texte 2 : Dear Mom and Dad Expression orale A Boy’s Journey : présentation orale Dear Mom and Dad, présentation orale. Prononciation du suffixe –ED des verbes au prétérit. Méthodologie Mobiliser

20) k faire un compte rendu oral d’un document sonore (p. 21) k Your task (p. 23) Écrire k écrire un “I am poem” (p. 20) k écrire un paragraphe sur la vie quotidienne (p. 22) X Écouter k Get ready, p. 18 k Train your ears, p. 20 k A man for the job (p. 21) k site compagnon, Please meet Kareem Poor Little Rich Girls, extrait d’une émission de téléréalité (p. 21) X X Écouter et regarder (vidéo) X N. B. : les titres en gras indiquent les documents à étudier afin de réaliser

preoccupation with being exactly in the middle suggests a semi-circular stage rather than a square or oblong one, although this is not stated in the stage-directions. We learn subsequently in the case of both plays that the action takes place on a kind of island, isolated from the rest of the world by water. The lighting at the beginning of Les Chaises is dim; in Fin de partie it is 'greyish'. The setting for Beckett's play has proved a fertile ground for symbol- hunters. Bell Gale Chevigny has called it

répugnance, de répulsion ; c'est le domaine, par excellence, de l'horreur graphique : monstruosités (La Monstrueuse Parade, 1932, de Tod Browning ou Frère de sang, 1982, de Frank Henenlotter) ; une influence gore, gourmande de sang et boyaux (Evil Dead, 1981, de Sam Raimi, The Wizard of Gore, 1970, de Herschell Gordon Lewis ou encore Cannibal Holocaust, 1980, de Ruggero Deodato) ; animaux familiers des phobies (pour les araignées, par exemple, Arachnophobie, 1990, de Frank Marshall ; pour les rats