Fear and Desire

do?” I answered: “I’m fine, you know just problems, and it is live what we could do?” At this moment I felt you, you seems like you’re gone to explose. So I asked you, if you could talk, open your heart to me, to tell me what’s going on with you. And that what happen. You begun to give me love, to make me the ‘’one ‘’ in your life, as well helping me to rescue in this life; to be proud of who I am whenever and wherever I go!! Thank you!! And so I became your best friend. Days after you wrote in

La femme gelée and Les mots pour le dire. The writings of Marie Cardinal deal primarily with aspects of women's experiences, such as female identity, the mother-daughter relationship, writing and the body. Les mots pour le dire is considered to be the “pivotal work” in Marie Cardinal’s career to encompass all of these factors and displays “an intensely conflicted mother-daughter relation”, wherein the narrator’s mother conforms to religion and society, thus imposing her values and ideals upon her

pill”; he opens the door to discover an aesthetically striking scene, all dim lights and shadow: 128, 1-15 (pay attention to the vocabulary of light and shadow) l.35 “ ‘gracious living’ and all that stuff.” H dismissing advertisement as deceptive; noise emphasized by his fear that Lo should awake? l.36 “northeast of my head” as though they were outside, which could be, so loud the place is; 130, 1 “the banging and booming” imitative alliteration; l.3 parenthesis “(always assuming that I ay on my back…)”

Moroccan government and Moroccan Jewry could be entitled the "catastrophe that didn’t happen." Carlos de Nesry put it well: "The Jews of this country bring to mind the person who was saved from an explosion and is after¬wards surprised to discover that he is healthy and whole. During the days of the protectorate, it seemed to them that independence would be a dramatic revolution with unpre¬dictable results. In the end, they saw it as a sort of apoca¬lypse in which the peace and quiet, which they knew

group art project. Your secret can be a regret, fear, betrayal, desire, confession, or childhood humiliation. Reveal anything -- as long as it is true and you have never shared it with anyone before. Be brief. Be legible. Be creative." It all began with an idea Frank Warren had for a community art project. He began handing out postcards to strangers and leaving them in public places -- asking people to write down a secret they had never told anyone and mail it to him, anonymously. The response was

themes and ideas but it is also a witness of the 19th century’s society. Indeed, in her work, Mary Shelley offers various personal points of view, giving more realism in her philosophic novel which can be simply seen as a monstrous tale. Within those different personal views the central one is the description Mary Shelley gives of human nature. Therefore we will analyze the way in which the author describes the nature of human beings by looking at the different characters’ way of thinking and acts

supporting the ideology of equal distribution of resources and fair social coverage. When IKEA had been created, Sweden entered in a “socio-economic” phase (1945- 1965) where the priority was to ensure the material well-being. The first service innovation of IKEA was in 1953 with the creation of a “showroom” (Before that IKEA was a simple retailer). This has been a key step in the Ikea’s development. For the first time customers can see, touch and test furniture before buying. This showroom is the solution

en quête d’idéal. Contrairement à d’autres personnages célèbres de textes antérieurs (on peut penser à Lemuel Gulliver chez Swift, comme à Robinson Crusoe chez Defoe), George Ellis n’entre pas dans le territoire utopique par accident, mais bien par désir. Il incarne donc parfaitement son lecteur type : Européen d’origine, mais insatisfait par les vices de ses compatriotes, il s’abîme (littéralement pour le narrateur, par l’intermédiaire de la lecture pour son public) dans un monde lointain afin de

Masks The use of masks belongs to many different cultures At the origin masks were used for religious and ceremonial/ritual purposes for instance for rites of passage such as the initiation of young people, marriages, funerals…, and for festivals –in which the use of masks was associated to noise, clamour and colour often to drive away the forces of darkness and to open the way to the spirits of light Masks in the theatre Theatre masks can be traced back to the Ancient Greeks. Traditionally

modern views in the Homeric representations of death and the afterlife? Homer’s Iliad is constructed through the narrative framework of the slayer slain motif, whereby the epic’s plot unfolds in response to the death of a loved one. The poem opens with the tears of Chryses and ends with Hector’s funeral[1]. In this journey, we see death as a product of revenge through the reactive plot structure of the death of a loved one, fuelled by grief and anger. This chain of retribution[2] climaxes in