Nowhere Boy

(C) himself (D) his 14. “Let’s remind _____ of the way he wrote” (A) us (B) each other (C) ours (D) Ø 15. _____ was happy about the new measures. (A) Everybody (B) Nothing (C) Everywhere (D) Anyone 16. I got _____ for it in return. (A) nowhere (B) nobody (C) nothing (D) anywhere 17. Everyone was _____ and ran away. (A) panic-stricken 21 (B) panic stroke (C) panic strike (D) panic’s stroke 18. All the citizens are _____ in that country. (A) law-obeying (B) law obeyed (C)

prononcé [iz]: 1 box 2 boxes B - les noms terminés par une consonne suivie immédiatement de Y (y compris ceux terminés par QUY [kwi], car [kw] est un groupe consonantique) prennent IES au pluriel : 1 baby 1 soliloquy mais 2 babies 2 soliloquies 1 boy 2 boys (car Y est précédé d'une voyelle). C - Les noms terminés par une consonne suivie de O prennent ES au pluriel sauf pour les mots d'origine étrangère ou les mots tronqués : 1 negro mais 2 negroes 17 1 piano 1 photo 2 pianos

of their fame. More generally speaking, the movie may deal with the entertainment industry. 2. At the beginning, the girls seem impatient to perform in public, slightly disappointed probably: “we started singing at the age of 12 and still we get nowhere.” Then they get more and more excited as they get a contract of 100 dollars a week. They become more and more successful (they are surrounded by lots of paparazzi) until they are offered to have their own act and be stars on their own right. One of

begin with, the purpose of the writer must be made clear. Pour commencer, l'intention de l'écrivain doit être définie. The text deals with / is about : le texte traite de. 8 Ex. : The text deals with the memories of the author as a young Irish boy. Le texte traite des souvenirs de l'auteur lorsqu'il était un jeune Irlandais. It is a well-known fact that : il est bien connu que. Ex. : It is a well-known fact that Dickens' novels often portrayed unhappy young characters. Il est bien connu que les

professeur New On Target 2e 149 3 bonusfile4-p50* Compétence culturelle/ Magazine My visit to the Eden Project The first thing that strikes you is the size of it. Like most people, I went there by car, because it’s pretty much in the middle of nowhere. You are carefully directed into one of the car parks about a mile or so from the biodomes, then you take a shuttlebus to the visitor centre where you get your entrance tickets and information about what’s on, special exhibitions and so on, and then

else is new? Everything in this plant is late. Based on observation, I'd say this plant has four ranks of priority for orders: Hot ... Very Hot ... Red Hot ... and Do It NOW! We just can't keep ahead of anything. As soon as he discovers 41427 is nowhere close to being shipped, Peach starts playing expeditor. He's storming around, yelling orders at Dempsey. Finally it's determined almost all the parts needed are ready and waiting-stacks of them. But they can't be assembled. One part of some sub-assembly

truth—knowledge about triangles or the Good, not mere facts like ‘it’s raining’.) With this aim, he calls over a supposedly ignorant slave-boy, and asks him how, if you are given a square of side 2 feet, you can construct a square twice the size. Since the original square has an area of 4 square feet, then the one you construct must have an area of 8. The slave-boy suggests squares of side 4 feet (wrong, because its area is 16 square feet) and 3 feet (again wrong, area 9 square feet). He then becomes

say it is, if sin brings its own punishment in some shape or other, even in the form of impunity, the novelist's record, if really true to life, must be instructive. And surely this is so. The moral of a book like Fort comme La Mort is nowhere formulated, but it could not be more patent if it were presented in the leaves of a religious tract. Enough has been said above of Maupassant's aim as an artist, but it must be added that he care- fully withstood the besetting temptation

this hurting inside G7 C Well I'd never be blue my dreams come true On Blue Bayou 41-LOOKIN OUT MY BACK DOOR 100 bpm G Em Just got home from Illinois. Lock the front door oh boy. C G D Got to set down take a rest on the porch. G Em Imagination sets in, pretty soon I'm singin C G D G Doot doot doot lookin out my back door.

brain and spot welding one adjective onto a client’s brand. That’s all. DeWalt tools are tough. Coke is refreshing. I’m reminded of how Steven Spielberg said he preferred movie ideas that could be summed up in a sentence. “Lost alien befriends lonely boy to get home.” The moral is: Keep it simple. Don’t let the account executives or the client make you overthink it. Try not to slice too thin. Think in bright colors. Make sure what you have to say matters. It must be relevant. It must matter to somebody