The Simple Life

between them. Most of time the screen tries to imitate the real world. We can see it in films for example. The scenarist projects us in another world but most of time it has to be close to our reality. Everybody knows that the person who reads the script has to understand the character’s emotion to be touched. We have to see ourselves in a film to like it. That’s to say that a good film is not only about fiction but also about reality. In this sense we have to ask: Are the new means of communication

Introduction : Senghor est né en 1906. Il marqua la poésie française du XXème siècle par l’apport d’un nouveau souffle, celui de ce qu’il appela lui-même la « négritude » : « La Négritude est la simple reconnaissance du fait d'être Noir, et l'acceptation de ce fait, de notre destin de Noir, de notre histoire et de notre culture ». Diplômé de l’Ecole Normale Supérieure à Paris, il eût une production poétique prolixe en parallèle de ses activités politiques au Sénégal, dont il fut le premier président

[pic] The life is a word which each can explain to his way, it is as a journey by train where we can meet different persons. It’s a long journey where we can come down at any time and where we can’t know what waits for us, that can be of checks things like that can be of bad things so it is necessary to live it such as it is. Some persons aren’t able to face the bad moments which they meet; they think that in these moments the life stops for them they do not manage to face with courage without

analyse: The bridges of Madison County 1/ The relationship between the two characters Francesca Johnson is a farmer who lives in Iowa with her husband and children. She comes from Italy, she is a typical farmer’s wife, and she does the household tasks/chores. She was bored; her life was a daily routine until her family had gone to a contest. She decided to stay home and not to go with them because in a way it got her out of her daily routine. From the beginning of the film, we can notice she

AN EXTRAORDINARY ABSENCE ì Liberation in the Midst of a Very Ordinary Life JEFF FOSTER NON-DUALITY PRESS ACKNOWLEDGEMENTS Deep gratitude to Nathan Gill Special thanks to Philip Pegler With love to: Adam, Amy, Barry, Joan, John, Josh, Julian, Jeannine, Kriben, Lynda, Mandi, Menno, Mike, Nic, Pamela, Sid, Tijn, Wendy, and everyone else! AN EXTRAORDINARY ABSENCE First published August 2009 by NON-DUALITY P RESS © Jeff Foster 2009 © Non-Duality Press 2009 Cover photograph by Nic Oestreicher

Since the years 40’ there are emissions which film the everyday life of people : Candid Camera where people react to the pranks appears in 1948. Aktenzeichen where the public can solve criminal businesses thanks to reconstitutions is diffused in Germany by ZDF since1967. In 1973, the chain

de deuil pour l'Amérique. Le président lui même prononce une allocution télévisée, le révérend Jesse Jackson est en larmes, les hommages fusent. On peut se demander qui mérite tant d'attention de la part de ces hommes si influents. La réponse est simple, c'est la mort d'un symbole, Rosa Parks. Elle est décrite comme la mère du mouvement des droits civiques. Aujourd'hui encore elle est l'icône du combat mené par Martin Luther King et beaucoup d'autres. Tout commence à Tuskegee, Alabama. C'est

Commentaire d’anglais The American Dream This document is a text from Michael Cusaek and it was publicated in 1981 and it was about the American dream. Michael Cusack (20 September 1847 – 27 November 1906) was an Irish teacher and founder of the Gaelic Athletic Association. He grew up in a home and in an area where Irish was still the language of daily life. He was probably eleven years old before he first used English and he quickly mastered it and to the end of his life he remained bilingual

in 1971. This movie directed by Hal Ashby tells the story of an unu- sual couple in the 60s, living near the coast in the United States. Harold, a 20 years-old young man (played by Ruth Gor- don) lives comfortably with his mother. Obsessed with death, he constantly interprets the staging of his own death (we note the excel- lent performance of the actor, very theatrical). Harold has no social life. He does not know the real life. He likes to go to the waste collec- tion center, and to burial ceremo-

de son prochain ( on pratiquerait plutôt le principe du « au suivant ! » ), où le simple fait d'approcher ledit prochain pose en lui-même nombre de problèmes ( intimité, agression, harcèlement... ), où tout un chacun a tendance à se replier sur le monde qui est le sien ( voir « umwelt » plus haut ), et où un certain égoïsme n'est jamais bien éloigné des rapports qui existent entre les individus, il n'est pas simple de se constituer un cercle d'amis. Du fait de tous ces obstacles, les réseaux sociaux