The Dead Poets Society

de graad Grootmeester-Wijnproever van het Nederlands Wijngilde Pieter EIJKHOFF draft; 2000.10.15 II Fig. 1 (Title page): The Chinese character 'jiu' with the general connotation 'wine' on a wooden Japanese sake cup. The left part of the character, three strokes, indicates 'liquid', the right hand part indicates a wine vessel. (from: Von Siebold House, Leyden, The Netherlands) CIP-gegevens Koninklijke Bibliotheek, Den Haag. Eijkhoff, P. (Pieter) Wine in China; its history and contemporary

AT THE SIGN OF THE CAT AND RACKET Half-way down the Rue Saint-Denis, almost at the corner of the Rue du Petit-Lion, there stood formerly one of those delightful houses which enable historians to reconstruct old Paris by analogy. The threatening walls of this tumbledown abode seemed to have been decorated with hieroglyphics. For what other name could the passer-by give to the Xs and Vs which the horizontal or diagonal timbers traced on the front, outlined by little parallel cracks in the plaster

pages] within the space of four months, forming two separate novels, of which I will write one in the morning and the other in the evening, and to finish them by a fixed deadline. Do you know, my dear Anna Vasilievna, that even now such eccentric and extraordinary things utterly delight me. I simply don't fit into the category of staid and conventional people . . .” In this typically ebullient fashion, Dostoevsky described to a friend the predicament he found himself in during the summer of 1866

Imprimé au Cned - Site de Rennes 7 rue du Clos Courtel 35050 Rennes Cedex 9 Sommaire Conseils généraux Séquence 1 p.5 Fighting for a good cause p.15 Séquence 2 Necessity is the mother of invention p.47 Séquence 3 Every man to his trade p.77 Séquence 4 The world’s your oyster p.129 Séquence 5 India : a member of the Commonwealth p.177 Séquence 6 Let’s focus on artistic creation Corrigés des activités Annexes p.217 p.263 p.353 Sommaire général – AN21 3 C onseils généraux Sommaire

THE SHALLOWS ALSO BY NICHOLAS CARR The Big Switch: Rewiring the World, from Edison to Google Does IT Matter? THE SHALLOWS What the Internet Is Doing to Our Brains NICHOLAS CARR W. W. NORTON & COMPANY New York * London Copyright © 2010 by Nicholas Carr All rights reserved “The writing ball is a thing like me…” from Gramophone, Film, Typewriter by Friedrich A. Kittler, translated by Geoffrey Winthrop-Young and Michael Wutz. Copyright © 1996 by the Board of Trustees of the

This Adweek Books address the challenges and opportunities of the marketing and advertising industries, written by leaders in the business. We hope readers will find these books as helpful and inspiring as Adweek, Brandweek, and Mediaweek magazines. Great Books from the Adweek Series Include: Disruption: Overturning Conventions and Shaking Up the Marketplace, by Jean-Marie Dru Truth, Lies and Advertising: The Art of Account Planning, by Jon Steel Perfect Pitch: The Art of Selling Ideas and Winning

titre. 1918. Photographie n/b. Dimensions inconnues. (Photographie tirée de Hendrick Neubauer, dir. The Weimar Republic through the Lens of the Press. Cologne: Könemann Verlagsgesselschaft, 2000. p. 42-43) ............87 Figure 4: Photographe inconnu. Sans titre. 1918. Photographie n/b. Dimensions inconnues. (Photographie tirée de Hendrick Neubauer, dir. The Weimar Republic through the Lens of the Press. Cologne: Könemann Verlagsgesselschaft, 2000, p. 42-43) ............88 Figure 5: Herzfelde, Wieland

proved the most pervasive and influential. Following its founding by Edmund Husserl at the end of the nineteenth century, this seminal school of thought was profoundly reformed through the work of Husserl’s young assistant, Martin Heidegger. Heidegger sought to transform his teacher’s idea of phenomenology as a rigorous science of immediate experience into an analysis of historical human existence. Within this reformulation, the efforts of phenomenology become directed towards art as the pre-eminent

overspread arms The forest, where Flora awakes Holds garlands of hung men All golden in the morning light This dark grove where the oak wears Bunches of incredible fruit Even for the Turk and the Moor This is King Louis' orchard All this poor wretched folks Rolling with thoughts unknown In great and desperate rings Flutter, still throbbing with life The rising sun devours them Watch them, dazzled skies, Dance in the fires of dawning This is King Louis' orchard These hung men, now heard by the devil Summon

Comparatismes en Sorbonne n° 1 Février 2010 TRADITION, MODERNITÉ : UN ÉTERNEL RETOUR ? Études réunies par Audrey Giboux Edward Burne-Jones, The Wheel of Fortune, 1883 (Musée d’Orsay, Paris) TRADITION, MODERNITÉ : UN ÉTERNEL RETOUR ? Comparatismes en Sorbonne n° 1 Février 2010 TRADITION, MODERNITÉ : UN ÉTERNEL RETOUR ? Études réunies par Audrey Giboux TRADITION, MODERNITÉ : UN ÉTERNEL RETOUR ? REMERCIEMENTS Ce recueil d’articles est issu du colloque qui s’est déroulé