Character

extent the criticism of the social behaviors in the English society in the XIXth century. That's why my review begins with an overview of historical context.Then two others subtler points will be brought out, the first one concerns the story, the characters, the main themes of the book, in the second I comment on an extract. I – Overview about the author, her book and the context. 1.1) Georgian era, the England of the late eighteenth century and early nineteenth This era includes the reign

DRACULA. The scene takes place in Transylvania. It deals with a mysterious enigma of five characters played by only three actors. Two of them are searching for Mina and the doctor Van Helsing which are in Dracula’s castle. To go straight to the point, DISAPPOINTED is the word to resume our impression. The show, which was supposed to be brilliant, was truly unfaithful to the novel with new characters like Boris the domestic or Van Helsing’s wife which came out from nowhere and has nothing to

be related to the guy that built Barrett Hall, the largest and ugliest structure in Harvard Yard, a colossal monument to my family's money, vanity and flagrant Harvardism. Erich SEGAL : Love Story (1970). 55 Place of the passage? I. The character of Oliver Barret. - This is the opening of Love Story, by Eric Segal, a novel published in the early seventies, which enjoyed an outstanding (exceptionnel) success. It was made into a film which also attracted a huge number of viewers. - This

Paul Auster Brooklyn Follies Chapitres 3 et 4 ♫Characters The characters in those chapters are the narrator, Nathan and his nephew, Tom whose surname is « Dr Thumb ». Marina, the Cosmic Diner’s waiter is mentioned along with Harry, a man who runs a cheap book’s store in Brooklyn, a Tom’s acquaintance. ♫Places There are a few places named in those chapters : The Cosmic Diner where the main character have the habit of having a lunch as he said us in the first chapter, Harry’s store on

great synthesizer of humanity. Most of the characters think they can only do these jobs well if they cut out the rest of life. They discover, however, that love enhances everything else. In this play the men are young and full of ambition: they want to be great, strong, smart, and famous men, while the women are light-years ahead of the men; they seem older and more sophisticated. Love in Much Ado About Nothing is a complicated topic. None of the characters explicitly seeks love. Love might be the

performance as The Joker in the movie. The Joker, and not Batman, was the key performance of the movie! The review also describes the powerful acting of the characters and the spectacular special effects that felt so real. Ebert also mentions the different locations of the movie that was shot in Chicago. At the end, he reviews some of the supporting characters such as the scientific genius Lucius Fox in charge of Bruce Wayne’s underground headquarters. Overall, Roger Ebert wrote a very positive review about

can consider Clara 69 as an autonomous play because it has been presented alone in Anne Caillère’s interpretation and mise-en-scene in 2007. And this choice can be easily explained by the fact that Clara can be considered as a story in itself (a character, a place, and a tale) and has only fine connections with the main play. Anne Caillère’s interpretation is also inspired by her visit in the detention centre of Fleury-Mérogis. Confronted to the prisoners she wondered:« comment saisir la parole, comment

The Big Money | Characters Like the rest of the U.S.A. trilogy, The Big Money reminds one of Balzac or Tolstoi in its breadth of diverse yet interesting characters. Many minor figures, like Anderson's mechanic Bill Cermak, Morehouse's client E. R. Bingham, French's associate Gus Moscowski, or Dowling's husband Sam Margolies come to life with brilliant Dickensian brush strokes. This analysis, however, will be limited to a discussion of the four major characters as variations on the central social

technique, the point of view style setting; the building up of atmosphere dramatic intensity the art of suspense the incident (event, adventure) which is narrated (related) in the text as a crucial experience characterization : the art of character-drawing; psychological interest the main theme aspects of the comic (humour, irony, …) tragic elements argumentative texts : the passage as a social document, social criticism Dans certains cas, vous devrez discuter l'opinion de l'écrivain

given equal value and appear, in the end, to be mere rhetorical strategies. The play also contains plays on language and meaning. He subordinated every other dramatic element to dialogue for its own sake and create a verbal universe in which the characters are determined by the kind of things they say, with the plot nothing but a succession of opportunities to say them. It is remarkable for his use of aphorisms: All women become like their mothers. That is their tragedy. No man does that´s his