Coloured

disgust. But the miasma of insanity exhaling from narratives such as 'Un Fou,' 'Moiron,' 'Chevelure,' and 'Le Horla' betokens, if we may venture on the expression, a decaying brain. We turn with unconquerable dread from the like phenomena in those high-coloured and plague-stricken artists Edgar Poe, Baudelaire, and William Blake. In this weird region of nightmare and hallucination nature seems dead. (p. 499) Source: William Barry, "The French Decadence," in Quarterly Review, Vol. 174, No. 348, April

health service has become available to a larger part of the population, as have safe water and education.65 Even if poverty has been reduced, the gap between rich and poor is widening.66 3.1.2 Understanding Vietnamese Society Vietnams history has been coloured by several wars, which has affected the Vietnamese mentality. The education level is low because the wars forced men to join the army instead of getting an education.67 If the Vietnamese people had not been struggling through so many wars, they would

optimisés : optimized optimisez : optimize optimisme : optimism optimisons : optimize optimiste : optimist optimum : optimum option : option optique : optical, optic, optics opulence : opulence or : gold orage : storm oraison : prayer orange : orange−coloured orangé : orange oranger : orange−tree orateur : orator oratoire : oratorical orbita : orbited French−english Dictionary 1189 French−english (dictionnaire) orbitai : orbited orbitâmes : orbited orbitant : orbiting orbite : orbit, orbits orbité

the imagination is often indulged in bizarre and enchanting combinations of the most disparate objects. After the invention of photography, it is not uncommon to find snippets of photographs juxtaposed with drawings, engraving, newspaper clippings, coloured ribbons, lace, ferns and all kind of other objects. 95 Un collage/photomontage de 1873 (figure 18-[ci-dessous]) met en scène plusieurs personnages photographiés et transformés. Un d’entre eux repose dans une casserole audessus d’un feu certainement

self-conscious analogue for the novel in which it appears, does Lily’s explanation serves as the novel’s implicit aesthetic manifesto. Bankes asks Lily what she wished “to indicate by the triangular purple shape just there?” Lily explains that her abstract coloured shape is “Mrs. Ramsay reading to James... She knew his objection that no one could tell it for a human shape. But she had made no attempt at a likeness, she said.” Her defence makes clear, in Goldman’s[328] opinion, that the painting, like the novel

the C O-Alkyl region (50 -110 ppm) and in the C-carboxylic region (160-200 ppm). The results of the chemical treatment using TiO2 under UV showed depollution of the OMWW. Over 24 hours, the treatment degraded 22.2% of the pollutant COD, 57% of the coloured molecules (UV to 330 nm) and 94.3% of the total phenols. The UV-Visible and FTIR spectroscopy showed extensive attack of the aromatic structures and revealed the occurrence of three successive phases during the degradation process, thought to correspond

crowded together in a single room. Every one is sitting on stools, heads bowed, with their workpiece on their laps. That being said, the picture presents this work in a favourable light on account of its colourfulness. Everyone is wearing different coloured clothes and the sunlight is pouring through the windows as if it symbolises the glory of hard work. On the other hand, the second picture is much more recent, as we can judge by the plastic Tesco shopping bag. Whereas the older picture is in colour

procurent l’amour et la passion raisonnée. Shining like the Monkey, I am brilliant both in my heart and in my mind. Human, warm and generous, I easily obtain the sympathy of everyone around me, and I am always surrounded by sincere friends. With coloured speech and the right word, I play to perfection with my eloquence to seduce my audience. Strong with this precious asset, I am often realized in the field of education, literature or even the show business. For me to blossom, I need space, to be

found it safest to write of love, but on occasions penned hymns to liberty or Revolutionary triumphs, with only André Chénier rising from the mass of mediocre verse. In the theatre, the classical genres survived formally intact, though they were coloured by the temper of their violent times. Tragedy maintained the alexandrine but was annexed for the Republican and ‘national’ cause; however, comedy declined, eclipsed as a popular genre by the upsurge of melodrama. In the hands of Ducray-Duminil and

of responding to literature, Every good literary critic has realized that the poet uses language not mainly to express statements that are true, or false, but to express what is neither true nor false. When Shelley says, 'Life, like a dome of many-coloured glass, Stains the white radiance of eternity. Until Death tramples it to fragments,' he is neither talking nonsense, nor making an assertion that must be accepted or rejected as true, or false. The question of truth and falsity does not arise. Shelley