Dead Like Me

from behind which in the nightime she had heard strange groans and cries, as if some fell murder were being perpetrated. She looked at it with horror, as if in some dark corner—dark with dampness and filth—she should distinguish Lantier—Lantier lying dead with his throat cut. Suddenly Gervaise thought she distinguished Lantier amid this crowd, and she leaned eagerly forward at the risk of falling from the window. With a fresh pang of disappointment she pressed her handkerchief to her lips to restrain

cooperate and to keep a low profile (adopter un profil bas). But Eric is not ready to yield ground (céder du terrain) so easily, he is outraged by those dubious (douteuses) methods His attitude is provocative and he talks about “a kangaroo court” which is like a slap on Sweet’s face for he derives his power from the US governement and he is entitled to question Eric within the American right and cannot stand being given the cold shoulder (être distant tenir à l’écart) / confronted / defied. -1- Ross who

the continent to try and make a living. This has added to the country's racial and economic burdens because more poor black people add to the competition for scarce resources like houses and jobs. Earlier this year, these tensions spilled over into a shocking outbreak of xenophobic violence, which left more than 60 people dead and thousands homeless - attacks which Mr Mandela condemned. "Remember the horror from which we come," he warned. Professor Neville Alexander of the University of Cape Town

Culture In addition to physiology, fossil evidence also sheds light on the human-like social behavior and cultural practices of Neanderthal man. A study of a Neanderthal skull shows flexations at the base of the skull similar to modern humans. This means that Neanderthals had a larynx situated in the same place as humans. Unlike chimpanzees, Neanderthals had the power to enunciate a full range of vowel sounds. Like modern humans, they had the physical capacity for language. (Trinkaus and Shipman

des Etats-Unis. Liens avec d’autres documents vus en classe : • African Americans en anglais. Southern Justice, by Norman Rockwell. 1) The document is a painting by American artist Norman Rockwell. 2) On the foreground I can see 2 men, probably dead and a third man helping them. 3) On the right I can see menacing shadows with guns in their hands. 4) The background is a desert. 5) The painter uses dark colours except for the red blood spot on a Black man's arm. This painting denounces the violence

complex; he invented a genre that could suit children as much as cultivated adults, a genre depending on its ambiguity. Literary fairy tales borrow heavily from the oral folk tales of the peasant tradition (as well from myth, Romance, and literary sources like Apuleius’s Golden Ass and Boccaccio’s Decameron), but these motifs are crafted and reworked through a single author’s imagination Georges Dinkel argues that ‘Perrault’s naivety is a cloak for deeper implications’, in order to argue his view, it would

takes place in a farm, where a villager and his wife are living with their young baby. They seem to be happy together. The man is a little bit gruff and taciturn. His with is younger than him, she’s blond hair and she’s really pretty. Her face looks like a baby’s face, she looks dumb and kind. The baby is very young, it’s an infant. It’s an united and happy family until the man meet a woman from the town… II. The woman who comes from the town She’s dark hair, dark glance and dark clothes. She’s

Beware of what’s lurking behind the devil’s smile. Are we stupid or just naive that we continues to believe Money can buy anything Including a slice of ‘the American Dream’? Yeah, answer ads in the paper about ‘houses for sale’ And get treated like Charles Manson out on bail When you start to get frustrated by the tactics they use You can recognize that, feeling It's the ‘Inner City Blues’ Yeah make you wanna holler sometimes And throw up both your hands And haven’t you ever wondered

each self and voice will understand (or begin to understand) the necessity that all desires be suspended except the desire for self-surrender, bringing the beginning of peace and what Eliot calls the “painful task of unifying.” “The Burial of the Dead” begins the plunge into Eliot’s wasteland. It is a wasteland of voices, characters, realities, memories and experiences. It is a wasteland of disorder. It is a wasteland, of desire. This first section of the poem presents the idea of a world remaining

d’erreur . To up the ante: faire monter les enchères, corser les choses (poker) To come up empty handed : Rentrer bredouille Go and stuff yourself ! : Tu peux te le mettre où je pense Get over it ! : remets-toi! / n’y pense plus! Over my dead body! / No can do! / forget it! : Rien à faire, pas question ! forget it more : laisse tomber (pire) Check the ass on that girl! Mate les fesses de cette nana ! Check the girl on that ass! Cette fille a vraiment un gros… derrière She’s as