Drumming

flavor is cotton candy . His dads name is Jeremy . He is 5 foot 3 . Nick names are J-Beebs, Bieber, and Beebs . Justin racked up over 10,000,000 views on YouTube . He was 13 when he got signed . Currently living in Atlanta, Georgia . Started drumming at age two . Originally Justin put his videos on YouTube for friends and family . Usher and Justin Timberlake both wanted to sign Justin. He chose Usher. . Recorded most of his album in Atlanta. . Justin’s dad plays guitar, and his mom sings

accept it all with humility when in fact she could not care less about his gift and accepts it only because she feels she must. Drumming Glidden is often kept awake by Cape’s drumming, which is something that he has taken up since coming to live with his father. The drumming seems to be a nervous habit and Cape often drums as Pony is going into a trance. The drumming seems to symbolize Cape’s heartbeat, loud and rapid in anticipation of what Pony will her reveal in her trance-like state. Themes

Piano Phase 1967 : Violin Phase, pour trois violons ou violon et bande magnétique 1967 : My Name Is 1967 : Reed Phase, pour saxophone soprano et bande magnétique 1968 : Pendulum Music 1970 : Four Organs 1970 : Phase Patterns 1971 : Drumming 1972 : Clapping Music 1973 : Music for Pieces of Wood 1973 : Music for Mallet Instruments, Voices, and Organ 1973 : Six Pianos 1976 : Music for 18 Musicians 1978 : Music for a Large Ensemble 1979 : Variations for Winds, Strings and

d'enregistrements transmis par la police ou les pompiers. Ces sons sont ensuite transférés dans un échantilloneur (sampleur en agnlais) et numérisés pour pouvoir être joués en direct à partir d'un clavier. On retrouve dans beaucoup de ses œuvres comme Drumming ou Different Trains des éléments communs : - La continuelle répétition de phrases courtes (Ostinato) - L'insertion de sons non musicaux enregistrés (bruits) - L'écriture en canons rapprochés, la création de déphasages - L'utilisation d'instruments

well known as to have become emblematic of Scotland, such as the bagpipes, the kilt, and the heavy events, especially the caber toss.(it’s a game who a man take a tree and launch it as far as possible) While centred on competitions in piping and drumming, dancing, and Scottish heavy athletics, the games also include entertainment and exhibits related to other aspects of Scottish and Gaelic culture. [pic] The Wallace monument: [pic]

1994 : Nagoya Marimbas 1968 : Pendulum Music 1995 : City Life 1969 : Pulse Music 1995 : Proverb 1969 : Four Log Drums 1998 : Triple Quartet 1970 : Four Organs 1999 : Know What Is Above You 1970 : Phase Patterns 2000 : Electric Guitar Phase 1971 : Drumming 2000 : Tokyo/Vermont Counterpoint 1972 : Clapping Music 2002 : Three Tales 1973 : Music for Pieces of Wood 2002 : Dance Patterns 1973 : Music for Mallet Instruments, Voices, and Organ 2003 : Cello Counterpoint 1973 : Six Pianos, arrangé en Six Marimbas

premier que nous voulions assigner à cette nouvelle discipline. Le dernier terme, c’est-à-dire drummologie, fut finalement retenu parce qu’il a une agréable consonance et enfin, il retient toujours l’attention de l’auditeur ou du lecteur. Drum et drumming existent mais drummologie, à notre connaissance, n’a jamais existé ailleurs. C’est notre création, nous ne l’avions jamais entendu et jamais vu auparavant. » (Niangoran-Bouah, 1980 : 24-25). III. UN FIDELE DISCIPLE DE LA DRUMMOLOGIE

beat, the emphasis is also on beat one (usually on bass drum). This beat was pioneered by Sly and Robbie, who later helped create the "Rub-a-Dub" sound that greatly influenced dancehall. The prototypical example of the style is found in Sly Dunbar's drumming on "Right Time" by the Mighty Diamonds. The Rockers beat is not always straightforward, and various syncopations are often included. An example of this is the Black Uhuru song "Sponji Reggae." In Steppers, the bass drum plays four solid beats to

other human beings".[25] In April 1990, the band began working with producer Butch Vig at Smart Studios in Madison, Wisconsin on recordings for the follow-up to Bleach.[26] During the sessions, Cobain and Novoselic became disenchanted with Channing's drumming, and Channing expressed frustration at not being actively involved in songwriting. As bootlegs of Nirvana's demos with Vig began to circulate in the music industry and draw attention from major labels, Channing left the band.[27] That July, the band

petit bond. Il y avait un petit pop ! explosif, quelque chose comme de l’adrénaline dans ma tête.” (Voyage dans la magie des rythmes. Un batteur de rock chez les maîtres tambours, Paris, R. Laffont, 1993, traduit de l’anglais (titre original : Drumming at the edge of magic, 1990), p. 130-131). 2 Isabelle Marc Martinez remarque : “la diction des rappeurs […] est parfois si rapide que l’on a beaucoup de mal à saisir les paroles. Comme si la voix était toujours impulsée vers l’avant, traquée par