Drumming

these areas have shaped the devotional music enjoyed by contemporary Muslims. g) Rastafarian music Nyabinghi music is the most integral form of Rastafarian music. It is played at worship ceremonies called grounations, which include drumming, chanting and dancing along with prayer and smoking of ritual ganja. The British later led efforts against nyabinghi, and classified it as witchcraft through the Witchcraft Ordinance of 1912. In Jamaica, nyabinghi was appropriated for similar anti-colonial

play cricket in the shadow of the globe left over from the 1964 World’s Fair. In the Bronx, Mexicans barbecue pork over open barrels in Pelham Park. Albanians gather in corner groceries to share job tips*. And in Brooklyn, Rastafarians hold raucous drumming sessions* in Prospect Park… … JFK airport in Queens has become the new Ellis Island, welcoming arrivals from all over the globe and whisking them off to neighborhoods ready to help them adapt. Pakistanis in the Bellerose neighborhood of Queens, for

reading body language Indeed, they can create many gestures. A pointing finger can either be someone pointing to a item or place, it can also indicate anger. If someone is curling their fingers tightly they are usually pleading for something. Drumming or tapping with the fingers indicates frustration. The faster the beating, the greater the frustration and tension inside the person. - The eyebrows The eyebrows have many uses. When the eye brows are raised, normally the person is shocked or

and at any location. No matter the time or place, the party always draws a mix of guitarists, singers, percussionists and dancers. They connect, share and celebrate flamenco style. [pic]In late July, percussionist Jerry Fields opened his bag of drumming goodies. Flamencos played bells, frogs and, yes, drums, to the beat of flamenco music, while Fields explained the connection between a hurt foot and music. The rhythm changed later when party-goers exchanged drumsticks for dancing shoes. They challenged

édition. Moore, H. & Sanders, T.2001 « Introduction » in H. L. Moore & T. Sanders (eds.), Magical Interpretations, Material Realities. Modernity, Witchcraft and the Occult in Postcolonial Africa, London, Routledge. Mowitt, J.2002 Percussion : Drumming, Beating, Striking, Durham-London, Duke University Press. Ncomo, B. L.2003 Uria Simango, um homem, uma causa, Maputo, Novafrica. Niehaus, I. A.1998 « The ANC Dilemma : The Symbolic Politics of Three Witch-Hunts in the South African Lowveld, 1990-1995 »

understanding, not judgement Knife or fork – which tool is better? Pretty meaningless question right? Because the answer depends on your context. For eating meatballs the fork is probably best. For chopping mushrooms the knife is probably best. For drumming on the table either will do fine. For eating a steak you probably want to use both tools together. For eating rice... well... some prefer fork while others prefer chopsticks. So when we compare tools we should be careful. Compare for understanding

Music for Mallet instruments, Voices, and Organ; Drumming Vous lisez le livret avant et/ou au fur et à mesure de votre parcours le l’œuvre de Steve Reich Vous écoutez chacune des pièces dans l’ordre (chronologique) suivant et vous faites part après chaque pièce de vos impressions, commentaires, réflexions, appréciations, jugements. Vous notez globalement votre appréciation de chacune des pièces sur 100. Come Out (1966) cd.4 12 :48 Drumming (1971) cd.5 56 :43 Music for Mallet instruments

Robert L. Doerschuk, Al Jackson Jr.: The Sound Of ʻ60s Soul, TRAPS Magazine, Printemps 2007 o Axel Tidemann and Yiannis Demiris, A Drum Machine That Learns to Groove o Axel Tidemann, Pinar Öztürk, and Yiannis Demiris, A Groovy Virtual Drumming Agent o o Books, Le pouvoir de la musique, n° 14 Juillet-Aout 2010 Andy Mc Guinness, Groove microtiming deviations as phase shifts, Dept. of Music, Open University, Milton Keynes, 2003 78 o Tiger C. Roholt, Musical Musical Nuance

invitation à concentrer mon attention ». Steve Reich travaille sur le déphasage des voix. Voici quelques œuvres de Steve Reich : It’s Gonna Rain (1965) pour bande; Piano Phase (1967) pour deux pianos; Four Organs (1970) pour orgue électrique et maracas; Drumming (1971); Clapping music (1972)* pour deux interprètes; The Desert Music (1984) pour chœur et orchestre; Philip Glass utilise un processus de « progression additive » parfaitement contrôlé par le compositeur puisque tout est écrit minutieusement. De

dépeint le quotidien au centre d’apprentissage, de l’arrivée des élèves jusqu’à leur incorporation à la troupe. Since the 1970s, Sado Island has enjoyed international repute thanks to the village of Kodo, hometown of the most famous of the Japanese drumming troupes. To enter this prestigious ensemble, candidates must first undergo two years of training. More than a school of music, it’s a real school of life. This is an intimate and spectacular film depicting daily life in the training centre, from