Live to Tell

supplémentaires....................................................................................18 Transcription....................................................................................................................18 Leçon 4 : Welcome to our classroom...................................................................................24 Contenu............................................................................................................................24 Compétences..

disasters ; 1) the lift  l’ascenseur the roof  le toit to rescue  sauver stair  escalier earthquake  tremblement de terre volcanic eruption  éruption volcanique fire  incendie plane crash  accident d’avion to collapse  s’écrouler skyscraper  gras de ciel to shout/scream  crier to hurry  se précipiter thick  épais to manage  arriver à, se débrouiller drowing  se noyer the fire-alarm  l’avertisseur d’incendie to rush  se précipiter outside  dehors out of use  inutilisable

Paulina and Gerardo find themselves in, mirror the situation in the country in which they live? How does this enable the playwright to explore the dilemmas facing the country? “How to forgive those who have hurt us irreparably?” The play “Death and Maiden” carries within it the disturbing truth of what occurred during the dictatorship of Augusto Pinochet in Chile from 1973 to 1989 where Dorfman presents to his audience the consequences inflicted on the population of such an event. In this play

explain to his way, it is as a journey by train where we can meet different persons. It’s a long journey where we can come down at any time and where we can’t know what waits for us, that can be of checks things like that can be of bad things so it is necessary to live it such as it is. Some persons aren’t able to face the bad moments which they meet; they think that in these moments the life stops for them they do not manage to face with courage without losing hope. But some of them decide to risk

SEE IT = Je le vois. - SHE IS SEEING TO THE MAIL = elle s'occupe du courrier. SHE FEELS GOOD = elle se sent bien. - SHE IS FEELING THE CUSHION = elle tâte le coussin. o Description d'un état passager : I FEEL HAPPY = Je suis heureux. - I'M NOT FEELING WELL = je ne me sens pas bien. 5 Dominique Vinet – Basic English Grammar PRESENT SIMPLE EMPLOI : o On l'emploie avec les verbes n'exprimant pas d'action apparente : TO WANT, TO LIKE, TO ENJOY, TO HAVE, TO SEEM, etc... On retrouvera le présent

Antony enter, the queen imploring Antony to describe just how much he loves her, when a messenger from Rome greets them. Antony says that he has little interest in hearing Roman news, but Cleopatra tells him that he must listen. She teases Antony for possibly turning away a command from young Octavius Caesar or a rebuke from Antony’s wife, Fulvia. When she urges him to return to Rome, Antony claims that Rome means nothing to him. He says that his duty requires him to stay in Alexandria and love Cleopatra

page de Reading Corner (extraits de littérature anglo-saxonne) ; – Ou une double page de Speaking Corner (documents « déclencheurs » variés, pour l’entraînement à l’expression orale). Tune in! 62 After reading an extract from a book, you want to share your feelings and reactions with other readers. Post a comment on the writer’s official website. qp.71Brave new world? Unit 4 YOUR TASKOR2. , ,4tr. 7, , . URURURUR2Artus Scheiner, The witnessesoArORATTHE ENDOF THIS UNIT Science

The young boy of “An Encounter” yearns for a respite from the rather innocent routine of school, only to find himself sitting in a field listening to a man recycle disturbing thoughts. In “Counterparts,” Farrington, who makes a living copying documents, demonstrates the dangerous potential of repetition. Farrington’s work mirrors his social and home life, causing his anger—and abusive behavior—to worsen. Farrington, with his explosive physical reactions, illustrates more than any other character the

company which wants to open some Tea rooms in Paris. Paul meets Jean Marie, a 50 years old man who is his boss His crew : Bernard, Marc, Stephanie and Nicole Christine, Jean Marie’s secretary He was going to have a fair with Christine but she screw it up because of her boyfriend. Paul realizes that it’s difficult to live in Paris when you’re not a Parisian yet. Paris is like an ocean. When you are a shark, everything is alright, but when you’re not, you ought to become quickly

below on the balcony". If the narrator seems to be external, he adopts nevertheless the point of view of the man. On one hand because he does not name him, does not identify him, on the other hand because the last sentences are like the description of the scene which this man sees. But he doesn't enter in his mind, so it's called a "dramatic" point of view, which is very objective : he leaves the interpretation of the actions led by the characters to us. It's probably used because of the limited