Odyssey

mouvements culturels, notre choix s’est porté naturellement sur la démarche ethnographique. Ces diverses applications illustrent le recours croissant aux méthodes qualitatives, particulièrement aux approches ethnographiques, dont la Consumer Behavior Odyssey (1987, 1988, 1989) de Belk, Wallendorf et Sherry incarne le symbole d’un « tournant interprétatif » dans les dispositions méthodologiques de recherche en comportement de consommation. Depuis une dizaine d’année, ces travaux portant un regard

acronyme difficile à traduire puisque dumb y désigne aussi bien le caractère impénétrable, incompréhensible, l’effet stupéfiant (au sens propre), que la connotation légèrement ridicule attachée à des artefacts allant du monolithe de 2001, A Space Odyssey à l’Excession de Iain M. Banks. On aurait tort, bien sûr, de ne voir dans ce goût des choses massives que la pulsion infantile d’un lectorat essentiellement masculin adolescent, comme certaines hypothèses sociologiques ont pu le suggérer (sans grand

this literary genre, are updated by the author and are entrusted with a new meaning. We have identified and kept three large veins of travel literature, namely and in chronological order: -Travel and the mythical quest fully expressed in Homer’s Odyssey and the various versions of the Graal Quest written in the Middle Age. -The philosophical journey, so popular in the 18th Century, in the Literature of the Enlightenment immortalized by the Tales of Voltaire. -The travel to East was an exercise of

Evidence from a Model Behavior That Incorporates Long-Term Customer Relationships», Board of Governors of the Federal Reserve System, International Finance Discussion Paper #584, juin 1997. Goodfriend, M., «Monetary Policy Comes of Age: A 20th Century Odyssey», Federal Reserve Bank of Richmond Economic Quarterly 83, 1 (hiver 1997), 1-22. Goodhart, C.A.E., «Game Theory for Central Bankers: A Report to the Governor of the Bank of England», Journal of Economic Literature, 32 (mars 1994), 101-114. Henderson

characters as they define themselves and are defined by various combinations of their past, the choices they make, and the social forces that act upon them. Do characters make their fate or suffer it? Stories give different and complex answers. In the Odyssey, Odysseus is labelled ‘multiform’ ( polytropos) but defines himself in his struggles to save himself and his shipmates and to get home to Ithaca again. In Flaubert’s Madame Bovary, Emma strives to define herself (or to ‘find herself’) in relation to

our master. Hal And Me ave, stop. Stop, will you? Stop, Dave. Will you stop?” So the supercomputer HAL pleads with the implacable astronaut Dave Bowman in a famous and weirdly poignant scene toward the end of Stanley Kubrick’s 2001: A Space Odyssey. Bowman, having nearly been sent to a deep-space death by the malfunctioning machine, is calmly, coldly disconnecting the memory circuits that control its artificial brain. “Dave, my mind is going,” HAL says, forlornly. “I can feel it. I can feel

tourism destination, Tourism Culture and Communication, 3: 15–25. Beeton, S. (2001b) Cyclops and Sirens – Demarketing as a proactive response to negative consequences of one-eyed competitive marketing. In TTRA 32nd Conference Proceedings: A Tourism Odyssey, Moisey, R.N., Nickerson, N.P and Andereck, KL. (eds.), TTRA: Fort Myers, Florida, USA: 125–136.  Beeton, S. (2002) A (de-)marketing approach to enhancing capabilities for film induced tourism. In 16th Australian and New Zealand Academy of

Jackson a New Zealander. The Godfather …………? Francis Ford Coppola: American Star Wars I …………? George Lucas: American Tokyo Story Romance Yasujiro Ozu: …………? Jurassic Park …………? Steven Spielberg 2001: A Space Odyssey …………? Stanley Kubrick: …………? Harry Potter and the Chamber of Secrets …………? Based on the novel by J.K. Rowling, an English writer Battleship Potemkin …………? Eisenstein: …………? The Lord of the Rings: The Fellowship

course the astronaut who starts “floating in a most peculiar way” after taking his “protein pills” refers to someone on drugs. In a 2003 interview, David Bowie explains that the inspiration for this song came from watching the film 2001: A Space Odyssey while he was stoned. Ruby Tuesday Within You Without You Space Oddity Point of view: the P. of v.: singer / narrator P. of v.: singer / narrator singer / narrator whose Target: young people who is on drugs love has left him Main themes: peace and

9780062008312. STANDARD # = 0062008315. Dog stories New York : Alfred A. Knopf, c2010. DOG SS Dog : the definitive guide for dog owners Fogle, Bruce. Richmond Hill, Ont. : Firefly Books, c2010. 636.7 FOGLE Dog walks man : a six-legged odyssey Zeaman, John. Guilford, CT : Lyons Press, c2011. 636.7 ZEAMAN "A dog doing a four-legged dance while you clip on his leash may seem enthusiastic to the point of absurdity, but he's got the right idea. A dog out in the wide world doesn't know how