One-man-show

play on the stage and the cinema is a curious one. Coriolanus is the only one of Shakespeare’s Roman plays not to have been made into a major feature film[3], and yet the Coriolanus-type character is today omnipresent on cinema screens. Don Siegel’s Dirty Harry (1971), featuring an uncompromising, tough, unyielding cop in the title role was a precursor and has, over the past thirty-five years, spawned numerous other films with a similar kind of hero. One pictures Sylvester Stallone on cinema posters

indispensable à tout le monde pour trouver une équilibre, une stabilité. Ce rire, qu’il soit gras, nerveux, moqueur, jaune, peut être déclenché par plusieurs facteurs : de la situation invraisemblable, en passant par le simple jeu de regards, au ouan man show de notre époque jusqu’à la littérature et au théâtre. On peut distinguer en littérature différents types d’ouvrages qui prêtent à rire ou tout du moins à sourire tels que la satire et autres œuvres polémiques ou tout simplement burlesque. En revanche

The Song of Roland The song of Roland is one of the oldest surviving French literatures today. It is a poem that was written in the 12th to 14th century and tells of the heroic deeds that occurred in earlier times. Throughout The Song of Roland an alternating following-pattern in augmented by parallel scenes and the doubling of time in order to underline the theomachia that generates the poem’s basic structure. Charlemagne’s battle with Baligant takes up where the rearguard’s skirmish with Marsile

même année, ainsi que deux Golden Globe. Quelle que soit la nationalité du personnage qu'il jouait, il conservait toujours son accent écossais4. Plus âgé que la plupart des sex-symbols contemporains, Sean Connery a souvent été qualifié de « sexiest man alive » (« homme contemporain le plus sexy ») par divers magazines1. Le 5 juillet 2000, à 69 ans, Sean Connery a été anobli par la reine d'Angleterre Élisabeth II pour célébrer sa carrière au cinéma5. Malgré tout, il revendique prioritairement son

difficult predicaments, but it also affects characters who have little open conflict in their lives. The young boy of “An Encounter” yearns for a respite from the rather innocent routine of school, only to find himself sitting in a field listening to a man recycle disturbing thoughts. In “Counterparts,” Farrington, who makes a living copying documents, demonstrates the dangerous potential of repetition. Farrington’s work mirrors his social and home life, causing his anger—and abusive behavior—to worsen

least I am certain, that no one has ever died who was not destined to die some time. Now the end of life puts the longest life on a par with the shortest. For of two things which have alike ceased to be, the one is not better, the other worse - the one greater, the other less. And of what consequence is it what kind of death puts an end to life, since he who has died once is not forced to go through the same ordeal a second time? And as in the daily casualties of life every man is, as it were, threatened

a thursday night and grab a part of the American Next Top Model show, can you think about what might come to her mind? Beautiful girls are skinny. Just this simple sentence might change her vision of life, with years and magazine influence, she will starts feeling uncomfortable in her body, she will want to change her look, and in no time, the little girls will no longer be herself. She will become a marketing product. That’s only one look, but let’s takes a little boy for the next example. Suppose

sitting. Maybe this is meant to show that these two women dominate the family. 2. Claire’s arms and hands are on her thighs and Nate’s are on the table. The two of them seem to be waiting for something, but we don’t know what. Brenda’s arms are folded and so are Keith’s: a sign of impatience, distance or frustration. 3. Most of the characters have blank expressions. It is difficult to read their minds. David’s face is totally expressionless. No one looks happy, no one is smiling. This tells us that

Augustins, 75006 Paris). Imprimé au Cned - Site de Rennes 7 rue du Clos Courtel 35050 Rennes Cedex 9 Sommaire Conseils généraux Séquence 1 p.5 Fighting for a good cause p.15 Séquence 2 Necessity is the mother of invention p.47 Séquence 3 Every man to his trade p.77 Séquence 4 The world’s your oyster p.129 Séquence 5 India : a member of the Commonwealth p.177 Séquence 6 Let’s focus on artistic creation Corrigés des activités Annexes p.217 p.263 p.353 Sommaire général – AN21 3 C

Les indices temporels : Dates liées à la vie de Romand ou au travail de Carrère recouvrent les vingt années avant le 9 Janvier 1993. On reconnaît les années 70-80 par les titres de films ou spectacles (Le grand bleu, le père Noël est une ordure, One Man Show…). De plus les personnalités admirées par JC (L’Abbé Pierre, Bernard Kouchner, Mère Teresa, Brigitte Bardot…) ont marqué cette époque. Des événements comme le suicide de Pierre Bérégovoy en 1993 ou la sortie de Une époque formidable que Romand