Come as You Are

opportunité pour les publicitaires car ils pensent qu'il y a plus de similarités que de différences sur la planète. = Globalization is an opportunity for advertisers as they think there are more similarities than differences on the planet. Nous pensons exporter plus de20% de notre production d'ici 2012. = We are expecting to export more than 20% of our production by 2012. Est-ce que l'on change les devises au même taux dans les agences bancaires? = Is foreign currency exchanged at the same rate in

réponse tranchante | Come what may | Advienne que pourra | Every bird must hatch her own eggs. | A la pondeuse d'être couveuse. | God helps those who help themselves | Aide-toi et le ciel t'aidera | You scratch my back, and I'll scratch yours | Aidez moi, je vous aiderai =Si vous me rendez ce service, je vous le revaudrai | Everybody's friend is nobody's friend | Ami de tous, ami de personne | There are better days ahead ( US ) | Après la pluie le beau temps | You must give honor when

Now I can dance (Tina Arena) So I hope this finds you well Sun is shining down Eastern Valley way There's some news I need to tell... you Give my mother a kiss tell her I'm okay I recall her words "If it's too easy, it never lasts" I have compromised But I'm finally free of the past Now I can dance Clouds have all disappeared And freedom I hold so dear 'Cause nobody knows me here Though I can only imagine Sadness in your eyes Please udnerstand Now I can dance All alone the

don't belong living in darkness, to hide alone You and me, at the dark end of the street You and me I know a time has gonna take it's toll we have to pay for the love we stole It's a sin and we know it's wrong Oh, our love keeps going on strong Steal away to the dark end of the street You and me They gonna find us, they gonna find us They gonna find us love someday You and me, at the dark end of the street You and me When the daylight all goes around And by

Come 'ere baby You know you drive me up the wall The way you make good for all the nasty tricks you pull Seems like we're makin' up more than we're makin' love And it always seems you've got something on your mind Other than me Girl, you gotta change your crazy ways - you hear me Say you're leavin' on the seven thirty train And that you're heading out to hollywood Girl, you've been givin' me that line so many times It kinda gets that feelin' bad looks good That kinda lovin' turns

verb in a sentence), negative sentences and questions are formed using the auxiliary DO, like almost all other English verbs. So, we say • I have a cat / I don’t have a cat / Do you have a cat? Many of you say things like I haven’t a cat and Have you a cat? which are ungrammatical. This is confusing because have is often an auxiliary. And when it is an auxiliary, we don’t need DO: • I have sent the cat / I haven’t seen the cat / Have you seen the cat? TOPIC 1: The verb have Transform

excursion with a friend of yours next Friday by coach. You may come up against unexpected difficulties, but you have prepared alternative solutions. Write an e-mail to your friend telling him/her of: a. What you have planned to do. b. What you will do instead if a problem arises. From: Salim16@hotmail.com To: Ryad16@yahoo.fr Subject: Planning an excursion Message: Hi, Ryad! How are you? I hope fine. I’m very happy to tell you that I’ve planned our excursion to Tipaza. We’ll

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written symbols. All these components are to found in Waiting For The Barbarians. But more specifically I have chosen to discuss language in relation with truth and pain. In the novel we have in one hand the “devotees of Truth, doctors of interrogation” (page 9) and the beggar of Truth namely Colonel Joll, Mandel and The Magistrate. But to some extent both fail in their charge due to their blindness. To illustrate this idea I will refer to the two prisoners who are captured by newly-arrived Colonel

We are the world We are the world est une chanson composée par Micheal Jackson et Lionel Richie en 1985 donc l’époque contemporaine. Elle est interprétée par quelques-uns des artistes les plus célèbres de l'industrie musicale américaine de l'époque, il s’agit de : USA for Africa (United Support of Artists for Africa), groupe de quarante-quatre artistes américains, dirigé par Harry Belafonte, Kenny Rogers, Michael Jackson et Lionel Richie. Le 28 janvier 1985, ils enregistrent la chanson We Are