Eye color

The Bluest Eye : text analysis of the two prologues The Bluest Eye is a novel written in 1970 by Toni Morrison. The narrator, Claudia, tells the story of herself and Pecola Breedlove, a young girl who came to live with them when her family fell apart. The novel’s first striking particularity is its beginning – the story starts with two mysterious prologues. The first one resembles a children’s primer, while the second one is an introduction to some of the key elements of the plot – the main characters

de teint fluide:hydrater la peau , ne camoufle pas le grain de peau ,garde le naturel, fluide->élasticité execptionnelle.fond de teint compacts: charger en pigments->camoufle le grain de peau(couvrant)plus écrans. maquillage:rôle d'un pigment: colore,caliter du fond de teint,protége la peau des agressions extérieur. avantage silicone : enrober le pigment->le pigment garde sa coloration de départ ; le silicone protège la peau contre les allergies. pâtes de camouflage:donnent du relief,struture

ADVERTISING This document is an advertisement in color. It’s a full page ad and eye-catching. This is an ad for Right Guard anti-perspiring body spray, very useful in periods of hot weather or to avoid uncomfortable situations. Here, the target market is active people, mostly men between 20 and 45 years old because we can see a young man and next to him a business man in the main scene. In fact, this ad aims, more generally, people who don’t want to work up a sweat. The goal is to boost sales

Vénus. Il y a deux autres groupes de personnages légèrement en diagonale de part et d’autres de la Vénus, ce qui la place dans une sorte de triangle. COLOR : color has three attributes : 1. Hue or tint- the actal color itself, e.g, red. 2. Intensity – the degree of puirty, strength, or saturation. 3. Value – the lightness or darkness of a color ; the amount of light reflected or transmitted by a colored object. Dans ce tableau, les couleurs se situent dans le pastel, les couleurs sont peu saturées

Design. Adobe Seminars: Web Page Design Publication Date: Oct. 1, 1997 US $40 ISBN: 1-56830-426-9 4-color, 264 pages, includes ImageClub CD Lesson C4 Trimming Graphics to the Smallest Possible Size Web graphics always need to be made as small as possible in terms of file size. A few factors that contribute to making smaller files include: reducing the color palette, using flat color whenever possible, avoiding horizontal gradients, and finally, trimming your graphics to their smallest

INTRODUCTION TO STAGE LIGHTING 1.01 The Joy of Lighting Design 1.02 Evolution of Stage Lighting 1.03 The Lighting Designer 1.04 Objectives of Stage Lighting 1.05 Qualities of Light 1.06 Intensity & Brightness 1.07 Form & Distribution 1.08 Color, Chroma, Hue & Value 1.09 Direction & Movement 1.10 The Language of Light [pic]1.01 - THE JOY OF LIGHTING DESIGN 1. Introduction One of the most rewarding professions today can be that of the lighting designer working in the arts. It can also

SOMMAIRE Le nude : retour au naturel pages 2 à 4 Le smoky eye pages 5 à 8 Le maquillage de la mariée pages 9 à 11 Le maquillage photo pages 12 à 16 « Le maquillage est le linceul de la beauté. » Tahar Ben Jelloun Extrait du L'auberge des pauvres Le nude : retour au naturel Cette saison, le maquillage nude ou maquillage naturel se réinvente plus lumineux que jamais. Les mots d'ordre : Donner au visage un maximum d’éclat et de fraîcheur. Exit teint blafard et lèvres

likeness: the forelock , the rounded nose, an eye slightly different from the other. What is striking is that the whole face is distorted as if it were disfigured. Let us start describing this self-portrait in detail. What is noticebale at first sight is the sculptural black hole with its rim on the right cheek, giving he illusion of depth. The implication is that the rest of the face (extravagantly pear-shaped) is no different from the whole. The left eye takes shape from a rapidly sketched circular

la norme ISO 1461. D’autres références sont fabriqués sur commande. 29 ACCESSOIRES MATERIELS DE LIGNE Série : MAX OEILLET O11 MAX OEILLET O16 30 www.ines-max.com OEILLETS À ROTULE BALL EYE Caractéristiques techniques Référence Reference Oeillet/ Ball eye O11 Oeillet/ Ball eye O16 Dimension (mm) Dimension (mm) A 44 58 B 20 27 C 12 17 L 53 57 Charge de rupture Ultimate strength 50 kN 120 kN Poids Weight 120 g 275 g Nature des matériaux : • Corps en acier galvanisé à chaud. Les

dynamique : obliques, courbes - composition pyramidale : - composition saturée précision des formes : contours nets, flous, contrastes, proportions couleurs : claires, foncées, dégradés, primaires, secondaires, complexes contrastes colorés, lumière et ombre perspective : espace du tableau différents plans le cadrage plongée, contre plongée style : - narratif, descriptif, hyperréaliste - symbolique - géométrique : cubisme, abstrait - impressionniste ( touches de peinture apparentes