Kind of Blue

international. Une situation de communication inter-culturelle. Choc lié à l’ignorance des pratiques culturelles : les étonnements d’un professeur d’anglais au Kenya. Choc culturel et préjugés : les tribulations d’une Américaine à Londres. • The stages of culture shock (document audio court) • The Traveller (bande dessinée de Quino) • Surprise, surprise! (document audio long) • The Silent Language (texte sociologique) • Don’t sell thick diapers in Tokyo (presse) • Before and After (presse) • Everyday

Build Nuclear Weapons?: Three Models in Search of a Bomb Author(s): Scott D. Sagan Source: International Security, Vol. 21, No. 3 (Winter, 1996-1997), pp. 54-86 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/2539273 Accessed: 08/03/2010 09:32 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have

Winthrop-Young and Michael Wutz. Copyright © 1996 by the Board of Trustees of the Leland Stanford Jr. University for translation; © 1986 by Brinkmann and Bose. All rights reserved. Used with the permission of Stanford University Press, www.sup.org. “The House Was Quiet and the World Was Calm,” copyright 1947 by Wallace Stevens, from The Collected Poems of Wallace Stevens by Wallace Stevens. Used by permission of Alfred A. Knopf, a division of Random House, Inc. For information about permission to reproduce

her tiara can be used as a weapon. Although dressed very sexily, she was originally designed as a feminist figure whose aim was to achieve peace, harmony and equality between peoples and between the sexes. Picture 2 is of two firemen/firefighters, advancing with a hose into the heart of a fire. Although they are wearing helmets and have oxygen tanks, their job is extremely dangerous and often calls for great bravery. Most Americans remember that, on 9/11, 343 firefighters lost their lives. Picture 3 is Oscar

: Tamara Vukov ....................................... présidente-rapporteure Line Grenier .......................................... directrice de recherche William Straw ....................................... membre du jury (Department of Art History and Communication Studies, McGill University) iii Figure a : Iceland, Somewhere There ; Iceland, It's There ! Source : https://fbcdn-sphotos-b-a.akamaihd.net/hphotos-ak-ash4/420169_10150665357739621_843385085_n.jpg iv Sommaire

AT THE SIGN OF THE CAT AND RACKET Half-way down the Rue Saint-Denis, almost at the corner of the Rue du Petit-Lion, there stood formerly one of those delightful houses which enable historians to reconstruct old Paris by analogy. The threatening walls of this tumbledown abode seemed to have been decorated with hieroglyphics. For what other name could the passer-by give to the Xs and Vs which the horizontal or diagonal timbers traced on the front, outlined by little parallel cracks in the

Portrait of the USA Executive Editor— George Clack Managing Editor— Rosalie Targonski Editor— Dennis Drabelle Designer— Barbara Long Web Art Director— Min-Chih Yao Photo Research— Maggie Johnson Sliker Internet Editor— Suzanne Dawkins Contributing Editors— Maura Christopher, Anne Cusack, Michael Cusack, Fredric A. Emmert, David Goddy, Holly Hughes, Norman Lunger, John Nickerson, Bruce Oatman, Shelley Orenstein, Richard Pawelek, Ira Peck, Jonathan Rose

confinant aux maisons de plaisir la diffusion des films de charme qui, d'ailleurs, restent timides : ils ont pour but de "mettre en appétit" le client. Mais il existe par ailleurs les stag films, films d'actes sexuels non simulés, également appelée blue moves ou French films. Tournés en catimini avec des acteurs non professionnels dans des logements privés, ils datent de 1910. Puis vinrent les loops, destinés à tourner dans les machines de projection des sex shops ou être vendus aux forains. Du softcore(porno

De même, interrompre le travail de quelqu’un pour lui poser une question peut se faire comme suit : – “Excuse me/Sorry to bother you… can I just ask you something?” 2. Demander la permission – “Excuse me, may I/can I use your phone? – Certainly/Of course.” – “Do you mind if I smoke? – No, go ahead!” 3. Demander un service – “Could you open the window, please?” – “I’d like to fax this to the Frankfurt office. Could you do it for me?” – “Would you mind taking my phone calls while I’m in the

l'artiste Salander-O'Reilly Galleries, New York EXPOSITION New York, Salander-O'Reilly Galleries, Tapestries after Stuart Davis by Gloria F. Ross, avril-mai 1993, reproduit dans la brochure de l'exposition Japon, Koriyama City Museum ; Shiga, The Museum of Modern Art ; Tokyo, Metropolitan Teien Museum, Stuart Davis, juillet-novembre 1995 8 9 7 BARNETT NEWMAN 1905-1970 Forms on red ground, circa 1945 Gouache sur papier 30 x 22 cm 14 000 /18 000 ¤ PROVENANCE Ancienne collection Sarah Newman