Music for 18 Musicians

l'américain Phasing), expression qui fait référence à son invention de la technique musicale du déphasage . À partir de 1976, il développe une écriture musicale basée sur le rythme et la pulsation avec l'une de ses oeuvres les plus importantes, Music for 18 Musicians, qui marque le début de son large succès international. Louis Henri Jean Farigoule dit Jules Romains, né en 1885 et mort à Paris en 1972 est un poète, écrivain et dramaturge français, membre de l'académie française. CONTEXTE : A partir de

of a community... and get engaged Barack Obama Election Campaign 2008 - Building Believable Brands You Barack Obama Election Campaign 2008 - Building Believable Brands This time, the audience was more interconnected than ever ! Web 2.0 : For many organisations both a threat & a problem... InterConnected & Engaged Individuals But it offers as well a world of opportunities! Barack Obama Election Campaign 2008 - Building Believable Brands honesty Barack Obama Election Campaign 2008

Warhol dans cette oeuvre et qu’elle n’est juste le reflet de sa personnalité, c’est à dire un produit de la société de consommation, n’oublions pas qu’il a été publiciste avant d’être artiste. Rapprochement avec d'autres oeuvres : Music for 18 musicians, pièce composée par le compositeur américain Steve Reich entre 1974 et 1976. Dans les deux cas il s’agit d’un procédé de répétition : format et motif répétitifs des toiles, pulsation et motif invariables de la musique. De même qu’en observant

Where did you get the idea for RUN LOLA RUN? I always come at things from a visual standpoint. There's an image in my head that I want to bring to life, to build a story around it and make a film out of it. With RUN LOLA RUN, it was a woman running, the side-on medium shot of a woman running. I think the idea of making a dynamic film is a basic desire among filmmakers. That's why we like to watch action films, because film can transport speed. Film has to do with dynamics, with explosiveness. A

Pepe Romero’s ninth appearance with San Francisco Performances, in association with Omni Foundation for the Performing Arts. Previous concerts were in May 1992, February 1994 (as part of a “Guitar Summit” with Joe Pass, Leo Kottke and Paco Pena), December 1995, December 1998 (with the Romeros), December 2000, March 2004, December 2005 and May 2007. presents In association with Omni Foundation for the Performing Arts Pepe Romero, guitar Saturday, December 12, 2009, 8pm PROGRAM Pepe Romero

Mots clés : scène musicale – Islande – lieu – documentaire – trajectoires vi Abstract This Masters thesis examines the icelandic music scene as portrayed through documentaries. The notion of scene usually refers to a spatial entity in which different actors (musicians, producers, promoters, fans, etc) share their common interests in music. In this thesis, its conceptualization combines elements drawn from an approach developed by Straw (1991) wich focuses on ideas of interaction

Phone boxes : The other symbol of London is the red phone boxes. Westminster abbay : The Collegiate Church of St Peter at Westminster is the most famous abbey of the whole england because it is the traditional place of coronation and burial site for kings and queens of England. This building dated from the eleventh century. Westminster Palace : The Palace of Westminster is the seat of the two houses of the Parliament of the United Kingdom : the House of Lords and the House of Commons. It lies

Understanding the Fundamentals of Music Part I Professor Robert Greenberg THE TEACHING COMPANY ® Robert Greenberg, Ph.D. San Francisco Performances Robert Greenberg was born in Brooklyn, New York, in 1954 and has lived in the San Francisco Bay area since 1978. He received a B.A. in music, magna cum laude, from Princeton University in 1976, where his principal teachers were Edward Cone, Daniel Werts, and Carlton Gamer in composition; Claudio Spies and Paul Lansky in analysis; and Jerry

Outils mathématiques et informatiques pour la théorie, l’analyse et la composition assistées par ordinateur Moreno Andreatta Equipe Représentations Musicales IRCAM/CNRS UMR 9912 Plan du cours - 3h (18 mars 2005) Survol sur l'émergence des structures algébriques en musique et musicologie du XXe siècle Set Theory « classique » (Allen Forte) Set Theory « transformationnelle » (David Lewin) Combinatoire modale (Babbitt, Vieru, Benjamin, Carter) Théorie des cribles (Xenakis) Analyse paradigmatique

Mixing Down, Making Space, Keeping Notes Tapes Use good tapes ie the recommended ones for your tape machine and if using a cassette for mixing down/mastering then use 'type II's eg TDK SA 90. Mics Use a good microphone with a high output impedance. Eg a C1000S. (The high output is especially useful for home recording mixers and tape machines.) Experiment with different microphones. For instance a good blues harmonica sound can be had from playing into a cheap (£10-£15) crystal mic